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Articles on Art Gallery of New South Wales

Displaying 1 - 20 of 28 articles

Vasily Kandinsky, Painting with white border, May 1913. Oil on canvas, 140.3 x 200.3 cm. Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, by gift, photo courtesy Solomon R. Guggenheim Foundation.

Kandinsky at the Art Gallery of New South Wales: a precious gem of a show celebrating the transformative power of art

Vasily Kandinsky (1866-1944) was a pioneer of abstract art. His paintings have not aged and appear contemporary and relevant to us now.
Hoda Afshar ‘Untitled #88’, from the series ‘Speak the wind’ 2015–22, pigment photographic print, 80 x 100 cm © Hoda Afshar, image courtesy the artist.

How photography can reveal, overlook and manipulate truth: the fearless work of Australian Iranian artist Hoda Afshar

Hoda Afshar is one of Australia’s most significant photo media artists. A Curve is a Broken Line at the Art Gallery of New South Wales is her first major survey exhibition.
Winner Archibald Prize 2023, Julia Gutman, Head in the sky, feet on the ground, oil, found textiles and embroidery on canvas, 198 x 213.6 cm © the artist, image © Art Gallery of New South Wales, Jenni Carter.

As Julia Gutman’s maverick collage wins the Archibald prize, the award is truly in the hands of a new generation

This year’s Archibald and Wynne Prize winners show that a new generation of artists have now entered the mainstream.
Archibald Prize 2023 finalist, Jill Ansell, Looking east, oil on board and assemblage in found tin, 10.8 x 16.5 cm © the artist, image © Art Gallery of New South Wales, Jenni Carter

From joyous celebration to the depths of grief: the new orthodoxy of the Archibald prize is there is no orthodoxy

The Archibald Prize and the Royal Easter Show have a great deal in common. Both are enjoyed by the general public, but the entrants in the competitions are very serious about winning.
Daniel Boyd, Sir No Beard, 2007. Oil on canvas 183.5 x 121.5 cm. Art Gallery of New South Wales, Sydney, gift of Clinton Ng 2012, donated through the Australian Government’s Cultural Gifts Program 378.2012. Image: AGNSW, Felicity Jenkins © Daniel Boyd

How the art of Daniel Boyd turns over the apple cart of accepted white Australian history

Daniel Boyd’s solo exhibition Treasure Island, now at the Art Gallery of New South Wales, is a deeply political and personal interrogation of Australia’s colonial history.
Winner: Archibald Prize 1972: Clifton Pugh. ‘The Hon EG Whitlam’ 1972. Oil on composition board, 113.5 x 141.5 cm. © Estate of Clifton Pugh

‘I think Archie would be pleased’: 100 years of our most famous portrait prize and my almost 50 years watching it evolve

It’s 100 years since the Art Gallery of NSW first held the Archibald Prize. Though loathed by some critics, it is an annual snapshot of the kind of society we are, and who our heroes might be.
Arthur Streeton The vanishing forest 1934, oil on canvas, 122.5 x 122.5 cm. On loan to the Art Gallery of Ballarat from the Estate of Margery Pierce

Streeton: an optimistic celebration of the golden boy of Australian art

A major new exhibition presents a nuanced view of Arthur Streeton who, in his lifetime, was praised as being the artist ‘who has shown us our land as no one else has done’.
Archibald Prize 2020 finalist Blak Douglas (aka Adam Hill), Writing in the sand, synthetic polymer paint on canvas, 250 x 250 cm © the artist. Photo: AGNSW, Felicity Jenkins Sitter: Dujuan Hoosen - documentary star ('In my blood it runs')

‘The most refreshing Archibald exhibition I can remember’: the 2020 portrait prize finalists

Most years, the Archibald exhibition is worth viewing as an amusing exercise in social history. This year it is worth seeing for the art.

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