The work of Australian designer Berto Pandolfo shows how 3D printing can be claimed as a craft technology.
Sikhumbuzo Makandula’s ‘Ubuzwe II’, 2016, Digital photograph: Inkjet on Epsom Ultrasmooth. The mural kaSebe/Sebe’s Lip (2011) is by artist Buntu Fihla.
In an image-saturated world, it can feel like we are beyond being moved. But five exhibitions in South Africa's Eastern Cape province in 2016 managed to capture memory and ego in exactly the right proportions.
Paul Stopforth (b. 1946) ‘Elegy’ (1980). Graphite and wax on paper on board: 149 x 240 cm.
Courtesy Durban Art Gallery
Works like "Elegy" are ciphers for what it means to be human and vulnerable within a social and political regime in which not all bodies are considered equal