American mezzo-soprano Vivica Genaux in the lead female role of Mandane in Artaserse.
Artaserse is an old Roman fable of treachery and the ethical power of clemency that becomes a psychological study of conflicting desires.
The cast of Opera Australia’s 2018 production of Die Meistersinger von Nürnberg at the Arts Centre Melbourne.
Die Meistersinger von Nürnberg (The Mastersingers of Nuremburg) is a long, complex work. An ensemble performance by Opera Australia transports Wagner’s 16th-century guild of mastersingers to a modern-day men’s club.
Peter Coleman-Wright and Merlyn Quaife during a dress rehearsal of Bliss in 2010: it is one of few important local operas over the past three decades to have been staged a second time.
Australian operas have been written about many pressing topics - from the Stolen Generations to the Lindy Chamberlain case - but few have been staged a second time. What is going wrong?
Veiled girls appear with death masks in Sydney Chamber Opera’s The Howling Girls.
A new opera explores the story of five girls who believed that debris from the World Trade Centre was lodged in their throats after the September 11 terrorist attacks.
Allan Clayton as Hamlet and Lorina Gore as Ophelia in Brett Dean’s opera at the Adelaide Festival.
Neil Armfield's production of the Brett Dean opera Hamlet is a confronting three hours in the theatre, but then so is Shakespeare's play. The second act is devastating in its emotional impact.
Martin Winkler and Virgilio Marino in Opera Australia’s 2018 production of The Nose at the Sydney Opera House.
Expatriate Australian director Barrie Kosky and Shostakovich's modernist opera The Nose seem made for each other. It was sung in an expressive English translation - and the tap-dancing noses brought the house down.
Jake Arditti (Nero) in Coronation of Poppea: the production is a haze of drug-fuelled violence, erotic drive, and dog eat dog power plays.
The Monteverdi opera exploring passion in ancient Rome has been transposed to a contemporary gangster setting in a new Sydney production.
Opera is treated differently to other artforms in Australia.
AAP Image/Tracey NearmyAAP Image/Tracey Nearmy
It is a strange reality but opera as an artform is always given special and arguably preferential treatment by governments and other influential forces in Western society. This happens, it seems, regardless…
Saul at the Adelaide Festival: the early scenes feel like hallucinatory dreamscapes unanchored in space.
With its themes of family dysfunction, love, death, madness and the supernatural, this Old Testament story is ready-made for opera.