There is something a little anxiety-inducing about knowingly walking into a closed theatre in which we will have no choice but to listen to the over-60s talk about their sex lives.
Dance and music move together in Anne De Keersmaeker’s new work at the Sydney Festival. Erin Brannigan was able to watch this layered and intricate performance come together in Berlin.
Jette Steckel has bought the Sydney Festival a version of Woyzeck that is as exciting, uncompromising and disturbing now as it was when it was first premiered in 1913.