Archie Moore is the first Australian to win the Golden Lion at the Venice Biennale, given to the best national pavilion at the world’s oldest and most renowned art biennale.
An album of easter eggs, a film about a woman with worrying dreams, a series about an unknowable man, new Welsh music and the last chance to see a design great.
Wanneroo Regional Art Gallery, north of Perth, is showing 53 artworks by Andy Warhol. It’s a far cry from the art meccas – and his work is all the more powerful for it.
Through a nuanced exploration of place, time, and memory, this new video work invites audiences to reflect on landscape and its relationship to the echoes of conflict.
Love Is the Message, the Message Is Death is undeniably rousing; a love song to identity as an unrestricted thing, capable of being motivated by awe and rebellion.
A harrowing portrayal of banal evil, a nuanced look at black fiction, a historically accurate TV series, a story about the power of love and a seriously cute exhibition.
The sensitivity of the exhibition’s themes, coupled with low lighting, seems to demand quiet in the space. In this silence, you hear the gentle chiming of hand-blown glass.
Fairy Tales focuses on how artists, designers and filmmakers have taken inspiration from fantasy motifs, adapting the fairy tale vocabulary of extremes to their own artistic needs.
London-based experiential art collective Marshmallow Laser Feast’s Works of Nature is clearly in the business of knowledge transfer: it tells, it doesn’t ask.
Vincent Namatjira, a Western Arrernte artist, is Albert Namatjira’s great-grandson. His genre is portraiture, but with a twist: loaded with satire and post-colonial politics.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne