How much you become engaged with a story is known as narrative transportation. And the more a story transports you, the more likely you are persuaded to adopt the beliefs espoused within it.
Academic rigour, journalistic flair
Articles on Narrative
Displaying 21 - 40 of 43 articles
Have you ever read a novel in the second person? You probably found it strange.
The dynamic between the master and the slave dominates accounts of AI at the moment.
Diet books aren’t just fluff. They offer a powerful insight into who Americans are – and how we wish the world could be.
It’s gritty and gripping in equal measure, but the swords and snowstorm narrative also answers a number of basic human needs.
Simon John James and Richard Bower chat about differing conceptions of what it is to travel through time.
People want video games and interactive experiences that help them explore deep and meaningful themes, such as creating family, valuing diversity and living responsibly.
People tell each other stories every day about the things they’ve seen and done. For many children with autism, this kind of personal narrative doesn’t come easily. Here’s how parents can help.
After the death of legendary New York Daily News columnist Jimmy Breslin, some have lamented the end of blue-collar journalism. But in today’s media environment, Breslin’s approach might not be enough.
What has happened to former residents since the camp was closed in October 2016.
Is there weight to claims that reading can make you a better person – or are they just tall tales?
Contrary to popular belief, several recent studies suggest that plot spoilers don’t always make us like a film or books less – and may even make us like it more.
Not everyone can weave a gripping tale. But for one gender, it matters more than the other.
When Gay Talese signed a confidentiality agreement with a motel-owning voyeur, he got access to the voyeur’s journals and secret viewing perch. But he also allowed the spying to continue for over a decade.
Hollywood has kept its distance from the bombing of Hiroshima, 70 years ago, and novelists, aside from sci-fi authors, have largely ignored the catastrophe as a means of exploring human nature. Why?
The very idea of the happy ending as appropriate literary fare for children is an illusion. Most fairy tales are full of darkness and violence, and as often as not do not end happily.
There’s no shortage of historical texts, but only a handful are lauded as literature. We can learn valuable lessons by revisiting EP Thompson’s The Making of the English Working Class.
‘History and fiction journey together and separately into the past; they are a tag team, sometimes taking turns, sometimes working in tandem.’ Enjoy the second part of our series, Writing History.
The myth that our primitive forebears were capitalists at heart is fundamental to Adam Smith’s arguments in The Wealth of Nations.
Many refer to advances in television storytelling as novelistic or cinematic, but the medium deserves a term of its own: complex TV.
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Top contributors
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Associate Professor of Narratology, University of Sydney
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Professor, University of Newcastle
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Lecturer in Contemporary Literature, La Trobe University
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Professor and Chair of Political Science, University of Vermont
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Associate Professor, Visual & Creative Arts Education, University of Sydney
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Assistant Dean and Lecturer in English Literature, Australian Catholic University
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Associate Professor of Psychology, Rose-Hulman Institute of Technology
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Professor of Journalism, Boston University
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Associate Professor of Communications, Penn State
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Professor in Physics, Durham University
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Emeritus Professor of History, Australian National University
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Honorary Professor in History, University of Sydney
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Lecturer in Theatre Studies, UNSW Sydney
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Professor of Politics and Public Policy, University of Cambridge
