Why do so many Australian TV dramas depict the lives of professionals when there is plenty of real drama for those living from one paycheck to the next?
TV manufacturers have turned their backs on 3D technology. But there’s a new technology hoping to win over viewers, and you don’t need to buy a new TV.
The Riverdale gang have gone from squeaky clean 40s hijinks, to bizarre Punisher cross-overs in the 90s, to a Twin Peaks-lookalike murder mystery today.
In a universe of infinite possibility, why is Doctor Who always a man? Peter Capaldi’s forthcoming retirement from the role means it’s surely time to hand the sonic screwdriver over to a woman.
The recently broadcast TV mini-series, “Mars”, combines fiction and nonfiction in a way that places them in balance. This kind of combination is likely to feature in more television series and films.
The Logies are fantastically daggy, but they let us compare audience and industry definitions of achievement. Looking back, it’s clear the public celebrates new, diverse and varied television.
The new motoring series will be used to help launch another video on demand service in Australia. But will consumers find away to access the show and avoid paying another fee?
How does Donald Trump, the son of a millionaire, manage to be an ‘outsider’? A clue might be found in The Apprentice, a melodrama which uses exaggerated emotion to tell the story of an underdog overcoming adversity.
Changes to the ABC’s science show Catalyst follow recent criticism of some of its journalism. But will the new format still give a voice to Australian science, or will some issues lose out?
The 1980s cult show Fat Tulip’s Garden fuelled the creativity of its young viewers. But in a digital age, are children less exposed to this kind of absurdist, performative storytelling?