Scars shouldn't be a shorthand for evil.
American cinema mines Greek myth most strongly at times of profound social anxiety. In the age of Trump, we are already seeing key political battlegrounds framed as underworld quests in film.
From Kill Bill to The Hunger Games, women have been kicking butt in films (and in real life) forever. But we still act surprised when they do, because deep down we still see women as the passive sex.
Why haven't feminists noted that the film is too Western and too white?
Love, it is said, is a battlefield, and it was no more so than for the first goddess of love and war, Ishtar. Her legend has influenced cultural archetypes from Aphrodite to Wonder Woman.
In a world where public avenues for violence are increasingly open to women, Gal Gadot's Wonder Woman presents us with an ethical and feminist model of fighting femininity.
Wonder Woman comes from a long line of strong mythical feminists.
As a comic hero, Wonder Woman's antecedents reach back to the suffragettes. And a long awaited feature film offers us a fittingly feminist story.
Since the epics of the Homeric poets, there have been tales of the mysterious, war-like Amazon women. The myth is likely based on the 'strong, free' women of the nomadic Scythian tribe.
Pop culture has always found something sexy about female fighters, who feature in everything from Sumerian hymns and Greek mythology to the new Wonder Woman film.
From Wonder Woman to Doctor Strange, superheroes are at peak popularity. As political orthodoxies across the world fall away, these flawed, but good-hearted characters speak to modern anxieties.
The Amazons of Greek mythology usually were seduced or subdued by male heroes. Wonder Woman finally overcomes this legacy.