Battle royalty: is this the end of online radio streaming?

Online streaming of radio broadcasts may be a thing of the past after the Full Federal Court yesterday handed down a ruling that will result in radio stations paying higher royalties to the recording industry. The Phonographic Performance Company of Australia (PPCA), on behalf of recording artists and…

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Yesterday’s Federal Court decision has the potential to change the future of online broadcasting. Alan Klim

Online streaming of radio broadcasts may be a thing of the past after the Full Federal Court yesterday handed down a ruling that will result in radio stations paying higher royalties to the recording industry.

The Phonographic Performance Company of Australia (PPCA), on behalf of recording artists and music labels, won a declaration that internet simulcasts of radio programs fall outside the definition of a “broadcast” under the Copyright Act and are therefore not covered by existing licences granted to commercial radio networks.

Following on from a failed High Court bid to increase license fees, legal action was initiated in 2010 by PPCA to separate licensing for online radio programs from traditional broadcasts.

The PPCA’s purpose seems to be clear: to create a new revenue stream from online license fees. This was at a time PPCA was aggressively pursuing increases in their revenues, such as fee increases of 4,729% for operators of cafes and gyms.

Meet the players

The PPCA is one of a number of copyright collecting societies: when anyone plays recorded music such as a CD, MP3 or music video in public, permission must be obtained from the person or company that owns the copyright of that recording.

The PPCA represents many copyright holders – both record labels and individual artists. It is then the job of the PPCA to issue licenses for the public performance of recorded music, and to collect license fees and return those to the copyright holder.

Commercial Radio Australia (CRA) is the peak body representing commercial radio industry interests in Australia – it claims to represent 99% of commercial radio stations.

In short, if you listen to commercial radio then the chances are the radio station is a member of CRA.

Let the battle commence

In 2000, on behalf of its members, CRA obtained an “umbrella” license granting each member a license to broadcast recorded music, and those arrangements remain in place today.

At the time, radio stations making their broadcasts available online was a new thing, and it’s likely online content was not contemplated as a threat in the context of the agreement.

During 2010 the PPCA claimed that a CRA member radio station – NovaFM – had breached copyright in a work managed by the PPCA.

The argument was that NovaFM had played a song that was both transmitted on the usual FM band and simultaneously made available on the internet. The PPCA claimed the broadcast license issued to CRA members did not cover broadcasts also being made available online.

The PPCA based its claim of breach by referring to the wording of their agreement, which permitted members to broadcast licensed material. They went on to point out that making content available on the internet was not broadcasting, and therefore not covered under the terms of the license.

When is a broadcast not a broadcast?

In September 2000 the then-Minister for Communications, IT and the Arts Richard Alston made a determination that excluded certain services being defined as a broadcast, namely:

a service that makes available television programs or radio programs using the internet, other than a service that delivers television programs or radio programs using the broadcasting services bands.

Making an adjustment for the double negative (making an exception to an exclusion in the determination), we might interpret this to include as a broadcast:

a service that makes available … radio programs using the internet and delivers … radio programs using the broadcasting services bands.

In February 2012, when this case was first brought before the Federal Court, Justice Foster agreed with CRA’s reasoning on this point and dismissed the PPCA’s case on the grounds that a simulcast radio program was a broadcast, whether delivered using radiowaves or online.

The appeal to the Full Federal Court, explained

Yesterday’s ruling by the Full Federal Court overturned last year’s single judge ruling. Justices Emmett, Besanko and Yates took up the argument put forward by PPCA relating to legislative reforms designed to regulate datacasting (adapting broadcast services to provide internet) as being the motivating intention behind the issue of Minister Alston’s determination.

Streaming radio online and on devices may become a thing of the past. ahunziker

On this basis, the judges considered that delivery of radio and television programs could be categorised in three ways:

  1. be delivered by the use of any means, including the broadcasting services bands
  2. be delivered or made available using the internet
  3. be delivered or made available using the internet and the broadcasting service bands

The Court found the radio program by NovaFM was supplied to the public by two simultaneous but separate services: the first being a traditional radio broadcast falling into the first category, and the online version fitting the second category, but accordingly not a broadcast.

Some lingering static

In accepting the PPCA’s interpretation of the ministerial determination being for the purpose of regulating datacasting, we encounter wild inconsistencies within the law.

Viewed through this lens of regulation of datacasting, the ministerial determination effectively makes any television or radio programs delivered over the internet fall into the category of a broadcast if the internet service over which it is delivered is a datacasting service (for example wireless internet using the analogue TV spectrum).

Yet the same television or radio programs delivered on any other form of internet access (such as ADSL broadband) is not a broadcast.

Effectively the ruling is saying that regulation is not applied on basis of content, or the originator of the content, but in how that content is delivered to a consumer, including distinguishing between methods of accessing the internet.

Regulating television and radio in this fashion simply cannot serve any useful purpose.

That said, if we consider the ministerial determination through a lens of regulating incumbent broadcasters while not stifling progress, efficiency and innovation, we find that radio and television programs can still be categorised in the same three ways. With the results being, respectively:

  1. incumbent broadcasters are caught and continue to be regulated
  2. “new media” services including YouTube, online movie and music services are not considered to be “broadcast” services, and so are not subject to broadcast regulation
  3. incumbent operators who simultaneously broadcast and stream their content are subject to technology-neutral regulation as broadcasters – without this provision, radio and television services would be subject to two distinct regulatory schemes. This may yield unexpected results – e.g. doubling of compliance costs, and doubling of sanctions for content which may breach a law

Stay tuned

Due to the high stakes involved it will be very surprising if the CRA does not seek leave to appeal to the High Court.

Without a successful appeal against this court ruling, the PPCA is now in a position to demand fees above the present 1% regulated fee from any radio station that makes its broadcast stream available online.

Given recent PPCA demands of huge increases in license fees for other users of recorded music, a likely scenario is that many broadcasters will simply stop making their content available online.

Join the conversation

6 Comments sorted by

  1. Russell Tretow-Loof

    SysAdmin

    A problem that seems caused by a lack of understanding of the core aims of the legislation. The internet as such is a distraction from what they're trying to achieve, which is regulate fees for artists and industry. In trying to detail the technical aspects of the regulation they're limiting themselves just as previous legislation has.

    What happens if mesh networks based on wifi become prevalent? Is that a broadcast? How about information transmission using quantum entanglement? The transmission medium needs to be completely removed from legislation, only then can it be consistent and future proof.

    As for the massive fee increases, greed can never be fully legislated for. I can only say it would be a great shame to live in a world devoid of music, especially because it costs too much. Time for an online repository of free music to become mainstream, FreeTunes maybe?

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    1. Delete this account as requested!

      logged in via email @iinet.net.au

      In reply to Russell Tretow-Loof

      The other and main problem is that new legislation in this area is written by the copyright lawyers and accountants industry, not to be mistaken for the actual artists.

      Even if this money is collected by the 'recording industry' practically none of it will go to the creators of the content. It serves no-one except a tiny group of entrenched rent takers who are completely superfluous to the creation of music.

      It's also another great example for the necessity of funding and lobbying reform.

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  2. Dennis Alexander

    logged in via LinkedIn

    This is merely the tip of the iceberg. IP as it currently stands is a travesty that deserves to be legislated against: i.e. the artist or the purported copyright owner should have to make a case for royalties for each and every use. Personally, I no longer listen to commercial radio or buy music from other than the artist unless it is so heavily discounted that I know that my contribution to this regime is minimised.

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  3. UTuneMe

    logged in via Twitter

    There's no way that this legislation would work. Online radio is the next step for radio, and although the infrastructure is not quite in place yet to replace FM and DAB (variable internet connections depending on location, a lack of dedicated online radio playing devices), there will be a time where it is the standard medium for listening to radio all over the developed world.

    If this royalty amendment really becomes so serious that it kills Australian online radio off altogether, soon there won't be a radio industry left - if there's nowhere for it to go next to keep up with technological advances, radio will simply become outdated and die off.

    Therefore they'll have to back off eventually - surely "low" royalty payments are better than no royalties at all.

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  4. Russell Harrigan

    Student

    I would like to add my views to The Conversation as some of the comments in this article need correcting. The article is alarmingly suggesting that the Full Court’s decision might spell the end of online radio streaming. In my view, a closer examination indicates that the opposite is true.

    First, the billion dollar a year commercial radio industry is not in any danger of losing its online streaming capability. This decision just means that they will now have to compete fairly on a level playing…

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  5. Richard Letts

    Director, national peak music organisation

    Actually, broadcast royalties received by PPCA are split 50/50 between label and artists.
    Russell Harrigan, could you please contact me at mca@mca.org.au?

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