Every year, tens of thousands travel to art events throughout Tasmania. These unique festival landscapes change the way we experience the world – and ourselves.
Brian Long, The University of Melbourne and Guy Morrow, The University of Melbourne
Melbourne’s snap-lockdown proves festivals are still vulnerable. If the government doesn’t provide insurance, arts organisations may decide it’s not worth the risk.
Spanish artist Santiago Sierra’s request for the blood of First Nations’ people in a now cancelled artwork prompted widespread disgust. We need Black curators who work from community standpoints.
Mona’s new subterranean extension adds a compelling dimension to the art of Dark Mofo 2019. Upstairs, a series of interactive sculptures contemplates our automated future.
MONA’s latest exhibition draws on the work of people - patients, housewives, hermits - who were compelled to create, raising age-old questions about how we define art.
There is a history of mistreatment of animals in the name of art. But isn’t it about time artists made their point about human domination without themselves asserting dominance over beasts?
Hobart’s winter festival explores darkness, storms and the very nature of the universe, with artwork performed in an asylum; echoing the elements and conceived while on a residency at Geneva’s Centre for Nuclear Research.
Transgender artist Antony Hegarty has successfully used her notoriety to publicly address issues close to her, including transgender politics, ecological consciousness and indigenous spirituality.
We’re not short on festivals in Australia, so new events need to make their presence felt. What’s the secret of Dark Mofo, which is about to enjoy its third outing?