Although the show was rightly criticised for its lack of diversity, the First Slayer - she who begat all future slayers, including Buffy - was black.
20th Century Fox/IMDB
Buffy the Vampire Slayer, a cult classic, was a series with a diversity problem. News of a new season provides an opportunity for a different kind of storytelling.
Mad, bad or dangerous – the gripping true crime story of Grace Marks, who caused a sensation in the 19th century and still holds fascination today.
Yoson An and Rachel Griffiths in Dead Lucky.
Dead Lucky tackles issues around worker exploitation, gambling, international students and domestic violence. But it is let down by underdeveloped characters.
India Henry after getting to the end of the course in Australian Ninja Warrior.
Screenshot from Youtube
Ninja Warrior is the latest attempt to appropriate an ancient artform for a mass audience. But the ancient ninja moved in silence. Anonymous, he never bothered to develop signature dance moves.
But is it art…? Fast-car fans Maurice and Harry in the Art Gallery of New South Wales in ABC’s Everyone’s A Critic.
The ABC's reality TV show Everyone's A Critic puts 'everyday' Australians in galleries. It is a compelling premise for an art show, but a tad disappointing.
AT&T and Time Warner are among the latest companies to merge.
A scholar of the media business tries to make sense of the flurry of merger news lately, and why the contested tie-up between AT&T and Time Warner will profoundly reshape the American media landscape.
The cast of RuPaul’s Drag Race season ten.
RuPaul's Drag Race, now in its tenth season, is an extraordinary success. But the show valorises a specific form of masculinity and is still grappling with a rapidly changing discourse around gender.
The HBO series was a big hit in 2008, but is it still relevant two decades on?
Roseanne Barr at an event for the 75th Golden Globe Awards this year.
2018 Kevork Djansezian/NBC/idmb
The decision to cancel the series – and remove it from air in Australia – demonstrates there is a clear line that even money can’t cross.
Popular sitcoms like Modern Family avoid reflecting on wider economic realities: Roseanne has filled a void.
When it debuted in 1988, Roseanne was a breath of fresh air against the conservative middle class family sitcoms then on air. Its reboot in 2018 feels just as relevant.
In Season Two, Offred (Elisabeth Moss) reclaims the identity stripped from her by GIlead.
In the much awaited second season of the TV series, Offred is more openly defiant than she was in Margaret Atwood's novel. Still, the first two episodes remain true to the themes of Atwood's book.
The cast of ABC TV’s Employable Me.
Employable Me is being touted as the feel good TV series of 2018. But will it make any difference to how employers approach jobseekers with disabilities?
Jenny Agutter and Laura Main in Call the Midwife.
BBC's Call the Midwife is a celebration of working class women's labour. In its frank, but sweet, discussion of childbirth, it has much in common with fairy tales.
The cast of The New Legends of Monkey.
ABC's The New Legends of Monkey puts a fresh spin on the '80s cult classic Monkey' continuing a long tradition of culture crossing.
Kelly Reilly as the Briton warrior Kerra in Britannia.
The new TV show Britannia dramatises the second Roman invasion of Britain. It captures the core elements of the story (despite inaccuracies) but recent archaeological finds offer thrilling insights into this time.
‘Antifasc’ as portrayed in Romper Stomper.
Stan's remake of the 1992 film Romper Stomper swaps skinhead culture for the complexities of contemporary Australian extremist politics. In doing so, it highlights disillusion with mainstream politicians and media.
We need media literacy not only to help us detect hoax and fake news but also to read the interest of media owners behind the news.
Disney has announced that it will be launching its own streaming service for its central brands, and another one for live sports.
Richard Drew/AP Photo
Disney recently announced a forthcoming streaming service, leading some to wonder if the company is gearing up for a battle with Netflix. But not all streaming services are locked in a death match.
This is what it's like going to the cinema when you can’t see the screen.
Should you be worried that tech giants are making huge investments in cultural content?