While the figures may seem alarming, we should remember that, unlike free-to-air TV, subscription video-on-demand services are not regulated for local content.
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Some viewers will object to the reality TV format of How 'Mad' Are You, but the show achieves its aim of breaking down stigma.
Depression, addiction and misanthropy in cartoon form.
Perfectionism-driven social anxiety means young men will also be susceptible to ideological scripting of behaviour on TV.
While thousands have called for the show to be cancelled, Insatiable actually does a good job of depicting the complex nature of disordered eating, sexuality and female pleasure.
With nostalgic flashbacks, epic training montages and most of the original cast, Cobra Kai is faithful to the Karate Kid film – all while delivering cutting-edge contemporary social commentary.
Shakespeare can survive a little chipping away at his 400-year reputation.
Buffy the Vampire Slayer, a cult classic, was a series with a diversity problem. News of a new season provides an opportunity for a different kind of storytelling.
Mad, bad or dangerous – the gripping true crime story of Grace Marks, who caused a sensation in the 19th century and still holds fascination today.
Dead Lucky tackles issues around worker exploitation, gambling, international students and domestic violence. But it is let down by underdeveloped characters.
Ninja Warrior is the latest attempt to appropriate an ancient artform for a mass audience. But the ancient ninja moved in silence. Anonymous, he never bothered to develop signature dance moves.
The ABC's reality TV show Everyone's A Critic puts 'everyday' Australians in galleries. It is a compelling premise for an art show, but a tad disappointing.
A scholar of the media business tries to make sense of the flurry of merger news lately, and why the contested tie-up between AT&T and Time Warner will profoundly reshape the American media landscape.
RuPaul's Drag Race, now in its tenth season, is an extraordinary success. But the show valorises a specific form of masculinity and is still grappling with a rapidly changing discourse around gender.
The HBO series was a big hit in 2008, but is it still relevant two decades on?
The decision to cancel the series – and remove it from air in Australia – demonstrates there is a clear line that even money can’t cross.
When it debuted in 1988, Roseanne was a breath of fresh air against the conservative middle class family sitcoms then on air. Its reboot in 2018 feels just as relevant.
In the much awaited second season of the TV series, Offred is more openly defiant than she was in Margaret Atwood's novel. Still, the first two episodes remain true to the themes of Atwood's book.
Employable Me is being touted as the feel good TV series of 2018. But will it make any difference to how employers approach jobseekers with disabilities?
BBC's Call the Midwife is a celebration of working class women's labour. In its frank, but sweet, discussion of childbirth, it has much in common with fairy tales.
Top contributors
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Senior Lecturer in Communication, University of Technology Sydney
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Fellow, Peabody Media Center; Professor of Media Studies, University of Michigan
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Senior Lecturer in Literary Studies, Monash University
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Honorary Research Associate of the School of Media and Communication, RMIT University
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Senior Lecturer in Media, Film and Cultural Studies, University of Sussex
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Lecturer in American Studies, University of Sydney
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Senior Lecturer, University of the Sunshine Coast
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Lecturer in Screen Media, Victoria University
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Professor of Middle East Policy Studies and Director of the Olive Tree Scholarship Programme, City, University of London
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Professor of Political History, University of Nottingham
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Senior Lecturer in Children's Literature and Media, Deakin University
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Senior Lecturer & Researcher in Media Technology, University of Salford
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Associate Professor, Screenwriting, RMIT University
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Lecturer in Screen Studies, University of New England
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Associate Professor of English and Writing, University of Newcastle
