Go Set a Watchman, by Harper Lee, is one of the most anticipated follow-ups in history, to be published next week after a 55-year hiatus. So what does the opening chapter prime us to expect?
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The discrepancy between cover designs for Lolita – published 60 years ago – and the themes of the novel are stark. But that hasn’t stopped hundreds of designers trying to get it right.
Whatever name you give it, writing of this sort is increasingly becoming the prime location for imaginative representations of our culture’s deepest hopes and fears.
Many child narrators in adult fiction are precocious. This enables them to describe events and people in ways that would not be possible for ordinary children of their age.
Cooper Hewitt’s Pen is designed to be more interactive for visitors by allowing users to draw and play on the spot – keeping people engaged in the physical museum environment.
The late Black Consciousness leader Steve Biko and political philosophers Frantz Fanon and Achille Mbembe top the list of writers who get routinely abducted by discerning pirates of the book world.
Using web data it’s possible to work out which bookstores are the world’s ‘most loved’.
If a society should be judged by the way it treats its children, and those who are struggling on the margins, then Laguna’s work once again proves that the novel is a crucial means for drawing attention to the burning problems of our times.
The very idea of the happy ending as appropriate literary fare for children is an illusion. Most fairy tales are full of darkness and violence, and as often as not do not end happily.
The smartphone is rising as a reading device. What happens to the stories they’re telling?
Want to stop kids from sliding academically over the summer? Why not trust them to make their own reading choices?
The desire to connect with literary places supports a substantial tourist trade. And the reasons why people embark on literary pilgrimages are as diverse as the kinds of fiction that inspire them.
The Refugee Tales is a modern reconstruction of Chaucer’s classic pilgrimage – this time, telling the largely unspoken realities of immigration detention.
Is the line between truth and fiction clear when it comes to history? And if not, is there scope for historians and novelists to re-engage, with a view to learning from – rather than bludgeoning – each other?
We know that male writers win more prestigious literary awards than female writers, but sadly, when women do win, it’s typically because they write about male characters, or “masculine’ topics.
Wednesday Martin’s book Primates of Park Avenue has stirred debate over the so-called “wife bonus”, but feminism needs to be about more than the ability to buy things.
While How to Be Both may be set in the Renaissance and the 1960s, its truths about inequality are just as relevant today.
The runaway success of Ali Smith’s How to be Both signals a new and original approach to 21st-century historical fiction.
Victor Hugo famously claimed the invention of the printing press destroyed the edifice of the gothic cathedral. Others fear the internet age will eventually destroy the novel. But guess what? It won’t.
Bond has been subject to many further adventures under different authors, and they’re a mixed bag, to say the least.
Principales colaboradores
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Associate Professor in Literary Studies, Monash University
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Associate Professor in Media, University of Notre Dame Australia
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Lecturer, School of Design, University of Technology Sydney
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Honorary Associate in Creative Writing, The Open University
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Executive Dean (interim) Faculty of Arts and Design, University of Canberra
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Lecturer of English, University of Liverpool
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Visiting Fellow, Centre for Cultural and Creative Research, University of Canberra, University of Canberra
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Professor in Publishing Studies, University of Stirling
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Dean of Research (Creative), University of South Australia
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Honorary Senior Lecturer, School of Education, University of Notre Dame Australia
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Associate Professor, School of Languages, Literatures, Cultures and Linguistics and Fellow of the Australian Academy of Humanities, Monash University
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Professor, University of Stavanger
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Adjunct assistant professor, University of New England
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Emeritus Professor of Australian Literature, University of Sydney
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Director, Monash University Publishing, Monash University
