Artículos sobre Cinema

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Back row (From L-R): Banky W, Ted Sarandos (Netflix Chief Content Officer), Kate Henshaw, Richard Mofe-Damijo, Felipe Tewes (Netflix Italian & African Originals Director), Omoni Oboli, Ben Amadasun (Netflix Africa Licensing Director) and Akin Omotoso Front Row (L-R) Mo Abudu, Adesua Etomi, Dorothy Ghettuba (Netflix African Originals lead) , Kunle Afolayan, Kemi Adetiba and Ramsey Noah.

Netflix Naija: creative freedom in Nigeria’s emerging digital space?

For Nollywood to fully compete at the global level, it should adopt a smart, proactive approach.
Bong Joon-ho’s film Parasite is only the 12th ‘foreign’ language film to be nominated for a Best Picture Oscar. Curzon Artificial Eye

Anglo-centric film culture and the continuing resistance to subtitles

In his Golden Globes acceptance speech, Parasite director Bong Joon-ho teased audiences about their unwillingness to watch subtitled films, highlighting the anglo-centric culture of film
Joaquin Phoenix in Joker (2019): the Joker’s humour-filled rebellion has typically contrasted with Batman’s dour moral self-righteousness. Warner Bros

The Joker’s origin story comes at a perfect moment: clowns define our times

Culturally, the joker turns socially significant places into spaces of carnival, revealing cracks within the social order. He is an enduring character – and a common figure in 2019.
Phoenix Raei plays an Iranian refugee forced to join a fight club in a detention centre in the film Below. Melbourne International Film Festival

A new Australian film set in an immigration detention centre is a jarring mix of violence, satire and humanism

In the film Below, a fight club is set up in a fictional, remote immigration detention centre. However the film’s shock tactics often feel manufactured, and risk exploiting the refugee crisis as mere backdrop.

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