Artículos sobre Opera

Mostrando 41 - 60 de 74 artículos

Attempts to explain opera’s affective power have a long history. Photo: Keith Saunders. (L-R) Voyage to the Moon's Phoebe Briggs, Jeremy Kleeman, Emma Matthews, Sally-Anne Russell.

Voyage to the moon, opera and the voyage of human emotion

It seems obvious to say that opera "moves" people. But the question of "how" it moves people is far less straightforward. Cue a new research project pegged to Voyage to the Moon.
The voices that can be used in a show like this are not those one would hear in Madama Butterfly. Patrick (Peter Cousens), Ellen (Melissa Madden Grey), The Divorce. ABC TV.

It’s TV! It’s opera! What to make of ABC’s The Divorce

The kinds of voices that can be used in a show like ABC's The Divorce are certainly not typical of those one would hear in Madama Butterfly. But – and let's be honest for a second – does it matter?
Kurt Weill and Bertolt Brecht’s last collaboration The Seven Deadly Sins, first performed in 1933, in circumstances not dissimilar than those we face today. Pictured: Meow Meow. Victorian Opera

How now Meow Meow? The Seven Deadly Sins is a Weimar Opera with 21st-century resonance

Victorian Opera this week stages The Seven Deadly Sins, the final collaboration between Kurt Weill and Bertolt Brecht. First staged in 1933, it is a masterpiece by two of the most revolutionary artists of Weimar Germany.
Rabbits transgresses the increasingly porous boundary traditional opera and contemporary musical theatre to great effect. Jon Green

A genre-hopping triumph: The Rabbits

The Rabbits has adapted Shaun Tan's evocative paintings and John Marsden's spare storytelling into a rich and compelling "opera".
At its best, opera can, indeed, be a powerful form of allegorical theatre. EPA/Gian Ehrenzeller (Image from Verdi's I due Foscari)

Opera, sexual violence, and the art of telling terrible tales

A gang-rape scene in a new London staging of Rossini's Guillaume Tell was greeted with audience booing, and has sparked ongoing controversy. Are opera directors at risk of miscomprehending the medium?
Graeme Macfarlane (Goro) and Hiromi Omura (Cio-Cio-San) in Opera Australia’s Madama Butterfly (2015). Jeff Busby

Is it time for Madama Butterfly to flutter by?

Opera Australia has once again posted a major operating loss and is weathering criticism for its very safe repertoire. Both these points merit consideration in the federal government's National Opera Review.
Dramatic in its effect, Fly away Peter is a requiem to the fallen and damaged of the first world war. Photo: Zan Wimberley. Sydney Chamber Opera

Fly Away Peter on the opera stage is a masterful adaptation

One of the few Australian novels dealing with the first world war, David Malouf's Fly Away Peter, has been adapted for the opera stage – and the Sydney Chamber Opera's production is a great success.
An opera based on David Malouf’s Fly Away Peter opens in Sydney this weekend. Carriageworks/Toby Burrows

Fly Away Peter: when Australian literature goes to the opera

Sydney Chamber Opera's production of David Malouf's 1982 novel Fly Away Peter opens this weekend. It's not the first opera adaptation of Australian literature – and there are reasons to hope it's not the last.
With the launch of The Flying Dutchman, opera is sailing the seven seas – in 3D. Victorian Opera/Deakin.Motion.Lab

Sailing the high seas in 3D: The Flying Dutchman goes hi-tech

3D goggles might be commonplace at the cinema, but few associate the opera with digital technology, or would ever expect to wear 3D goggles in a theatre. A new production of The Flying Dutchman, created…
Socrates: not going gently.

Why I teach poetry and opera to medical students

Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light. I usually begin my end of life ethics lecture with one of Dylan Thomas’ best-loved…
Gluck’s Iphigenie en Tauride is a milestone in opera history – and Pinchgut’s production is marvellous. Photo: Keith Saunders. Pinchgut Opera

Pinchgut’s Iphigénie en Tauride: a work of pure theatrical magic

In any Opera History 101 course, Christoph Willibald Gluck (1714-1787) is cited as one of the most influential figures in the development of opera. And, of course, this is true. Gluck’s operas, and his…
Critics of The Death of Klinghoffer at The Met in New York have claimed the opera is both anti-semitic and glorifies acts of terrorism. EPA/Peter Foley

Risky business? The Klinghoffer protests show opera’s relevance

On Monday night in New York, protesters demonstrated against the premiere of John Adams’ 1991 opera The Death of Klinghoffer, at the Metropolitan Opera at Lincoln Center. Its subject matter is the murder…
Debate over WA Opera’s production of Carmen reveals some faultlines in corporate arts sponsorship. Photo: Opera Australia dress rehearsal. AAP Image/Dean Lewins

Carmen sense: when corporate sponsors go to the opera

One of the loopier actions of the eccentric Roman Emperor Elagabalus (inventor of the whoopee cushion) was an edict calling for all sex scenes in imperial theatres to be performed live and not simulated…
Musicals such as The King and I bring the crowds – but should a state-funded opera company be staging them? Photo: Brian Geach. Opera Australia

Shall we dance? Why Opera Australia staged The King and I

Why is Opera Australia staging The King and I? The Rodgers and Hammerstein favourite is currently playing at the Sydney Opera House and has been a remarkably successful choice, commercially speaking. Even…
Regional tours such as Opera Australia’s cross-country circuit with The Magic Flute deliver real benefits to the communities they visit. Albert Comper, Opera Australia

Mozart goes to Bathurst: classical music in regional Australia

Since July, Mozart’s popular opera, The Magic Flute, has been touring regional Australia. The Opera Australia production, a version of Mozart’s classic reinvented by Australian playwright Michael Gow and…
Sydney Chamber Opera’s Mayakovksy critically engages with neglected aspects of the great Russian poet’s biography. Photo: Zan Wimberley

Mayakovsky at Carriageworks: a telegram from an alien future

“I’m a poet. That’s what makes me interesting.” So begins the autobiography of Vladimir Mayakovsky, whose futuristic militarisation of poetic verse proved even more revolutionary than the Bolsheviks’ seizure…

Principales colaboradores

Más