Artículos sobre Stage

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Kurt Weill and Bertolt Brecht’s last collaboration The Seven Deadly Sins, first performed in 1933, in circumstances not dissimilar than those we face today. Pictured: Meow Meow. Victorian Opera

How now Meow Meow? The Seven Deadly Sins is a Weimar Opera with 21st-century resonance

Victorian Opera this week stages The Seven Deadly Sins, the final collaboration between Kurt Weill and Bertolt Brecht. First staged in 1933, it is a masterpiece by two of the most revolutionary artists of Weimar Germany.
Desdemona is one of several productions at this year’s Melbourne Festival that invites its audiences to listen to tragedy and its reverberations. Mark Allan/Melbourne Festival

Toni Morrison’s Desdemona invites us to listen not just hear

Tony Morrison's Desdemona, which opens today in Melbourne, asks many questions of its audience. Perhaps most pressingly: what does it really mean to listen, rather than hear?
In Athenian spirit. Carsten Rehder/EPA

If only we could ask Euripides about refugees

Berlin recently agreed to curb the number of migrants it welcomed after a backlash against Angela Merkel’s suspension of EU rules limiting numbers. It followed previous scenes of crowds welcoming new arrivals…
National Theatre of Wales

Why Homer belongs on Netflix

Classical epic can seem particularly alien in the instant gratification culture of Instagram and Twitter, yet there's a surge of interest in them.
What does telling the story of the long-running conflict in the Congo through the lens of Verdi’s Macbeth teach us? Owen Metsileng and Nobulumko Mngxek in Macbeth. by Nicky Newman

Macbeth brings double, double, toil and trouble from DR Congo

Brett Bailey's Macbeth at Brisbane Festival is a powerful production that relocates Verdi's opera (based on Shakespeare’s play) to the ongoing conflict in the Democratic Republic of Congo.
Interactive children’s theatre engages childrens’ innate creative impulses and encourages them to be curious and playful. Image by Kristian Laemmie-Ruff. Arena Theatra

Not so Fringe: interactive children’s theatre takes centre stage

An expanded program of interactive performances for children at this year's Melbourne Fringe Festival harnesses their audience's innate creative abilities and invites them to both watch and join in.
Alison Bell as Emma, making the long, counter-intuitive journey from despair to hope, is perfect in every way. Shane Reid

Betrayal by Harold Pinter, and our betrayal of ourselves

This production of a very great play by the State Theatre Company of South Australia is beautiful, clarified, and haunting. You will be relieved to know it is "excellent". More to the point it is right.
The 2014 Arts in Daily Life report found that 66% of Australians think the arts are important for child development. AAP/Waltraud Grubitzsch

The fun and funding fears for children’s theatre in Australia

The success of the Opera Australia and Barking Gecko Theatre's Rabbits offers a chance to celebrate the pioneering nature of children's theatre in Australia.
Greek tragedy remains the most modern form of drama, unafraid to question everything we value. Sarah Walker. Photo: Jane Montgomery Griffiths as The Leader and Aaron Orzech as Haemon.

Antigone now: Greek tragedy is the debate we have to have

Regardless of reasoning and the plethora of scholarship that exists, Greek tragedy remains the most modern form of drama. It is unafraid to question everything we value.

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