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A still image from Pipilotti Rist’s Ever Is Over All, 1997, single channprojectors, players, sound system, paint, carpet, courtesy the artist, Hauser & Wirth and Luhring Augustine. © the artist

Here’s looking at: Pipilotti Rist, Ever Is Over All

In 1997 Pippilotti Rist walked down a street of cars and smashed their windows in a vivaciously feminist call to arms. You might recognise the homage to Risk’s work in Beyoncé’s Lemonade.
Thomas Hart Benton’s murals at the Indiana University Auditorium depict the social history of the state. Joseph

The misguided campaign to remove a Thomas Hart Benton mural

A controversial panel on Indiana University’s campus depicts Ku Klux Klan members, but Benton had a reason for including them. Is avoidance really the best way to deal with dark episodes of the past?
Family time. Pawel Kuczynski

Imagining a better world: the art of degrowth

To fix the world’s ecological crises we’ll have to make some tough choices, particularly living with less stuff. Art can play an essential role in imagining and communicating a more sustainable future.
Customers shop during at the AIDS Healthcare Foundation’s Out of the Closet thrift store in Columbus, Ohio. Jay LaPrete/AP

How subversive artists made thrift shopping cool

Over the past 100 years, discarded and secondhand goods have been used by artists to reject mainstream aesthetics.
Confederate General P.G.T. Beauregard is removed from the entrance to City Park in New Orleans. REUTERS/Cheryl Gerber

What to do with Confederate statues?

A scholar of southern politics finds inspiration in an unexpected place.

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