Robert De Niro as Travis Bickle in Martin Scorsese’s 1976 film, Taxi Driver.
Still from Taxi Driver, 1976
Bruce Isaacs analyses the iconic 'You talkin' to me' scene from Martin Scorsese's Taxi Driver.
Mean Streets, released in 1973, is considered Martin Scorsese’s early masterpiece.
Still from Mean Streets, 1973
Film scholar Bruce Isaacs dissects five classic Martin Scorsese scenes. In episode two, Isaacs looks at the opening credit sequence from the iconic 1973 film Mean Streets.
Harvey Keitel as J.R. in Martin Scorsese’s first film Who’s That Knocking at My Door?
Still from Who's That Knocking at My Door (1967)
Film scholar Bruce Isaacs dissects five classic Scorsese scenes, beginning with the celebrated director's first film, Who's That Knocking At My Door?
Can mobile phones improve the movie experience?
In China and Japan, moviegoers can visit a cinema where their text messages appear on screen as the film plays. While this might sound like a nightmare to some, the cinema has always been a hub of social activity.
Jodie Foster, Robert De Niro and Martin Scorsese on the set of Taxi Driver in 1976.
Sikelia Productions, New York
From 'Mean Streets' to 'Vinyl', from The Ronettes to The Clash, music has long been a muse to film director Martin Scorsese. He plays it on set, conceives sequences with certain songs in mind and uses it to chart his characters' changing fortunes.
On April 28 1996, 28-year-old Martin Bryant murdered 35 people and injured 23 others at, and in the vicinity of, Port Arthur.
How Bryant and, more importantly, the dead and survivors of the massacre are remembered is vital if we're to appreciate the impact of it.
A still from Mirrors of Bergman, a profoundly moving audio-visual essay.
Digital technology has transformed the work of cinema scholars, spawning a rich and poetic critical form.
Nate Parker, director of the recent revolutionary US film “Birth of a Nation”.
Racism is a charge that could be leveled at cinema from its very inception. There are some positive signs of change, but audiences have a role to play in making sure African films flourish.
Jane Austen horror has burgeoned into a distinctive subgenre of adaptations.
England’s green and pleasant land will be beset by a plague of the living dead, corpses will dig their way out of graves ... Jane Austen horror is now a distinctive subgenre of Austen adaptations.
Memory has become prosthetic – outsourced to the internet. But remembering, not forgetting, is the enemy of creative reinvention.
This year has already seen the first selfie movie, the first series to air on Instagram – mobile phones are increasingly playing a major role in the film world.
Many films exist on a knife-edge ... failure is only a screening away.
Australia’s defining narratives are apparently stories by, for and about white cis men.
George A. Spiva Center for the Arts
Australia’s defining narratives are apparently, with rare exception, stories by, for and about white cis men. We need more than Screen Australia’s new measures to address gender equity in the film industry.
The Hunger Games heroine Katniss Everdeen represents the strength of living the Beatitudes against injustice.
The Hunger Games movie franchise has ended. What can we learn from Katniss Everdeen about living a just life? This article contains spoilers for The Hunger Games: Mockingjay Part II.
Violence. Yes. Glamour. Yes. But the most engaging element of Spectre may be its tone.
Spectre is a return to form for the series, and the best of the Daniel Craig films, tying together the legend with a narrative that incorporates and develops the past 50-plus years of Bond.
The life Adams was leading 100 years ago was far from a Hollywood fantasy.
Library of Congress Prints and Photographs Division Washington, DC.
This Remembrance Day, spend some time with Claire Adams Mackinnon – the silent Hollywood movie star who stole the heart of Melbourne bachelor and lived the last 40 years of her life in Victoria.
The Society of the Spectacle.
The Counter Image
“What is the point of studying popular films?” As barbaric as it may appear, this is a good question. It forces one to reconsider, and to some extent thereby refresh, one’s perspective on the subje
Gold Coast Mayor Tom Tate, Queensland Premier Annastacia Palaszczuk, Disney Studios Vice President Mary Ann Hughes and Screen Queensland CEO Tracey Vieira pose at Village Roadshow Studios on the Gold Coast last week.
AAP Image/Dave Hunt
For every film, specialists are employed for everything from rigging the lights executing the stunts. The announcement of two major new productions coming to Australia will develop that expertise.
The real force of Star Wars is to be found in its music, an aural cocktail of orchestral pieces punctuated with lightsabers, hyperspace leaps, and a hint of droid.
Walt Disney Studios Motion Pictures.
For all the speculative commentary as to what the new Star Wars trailer reveals plot-wise, its true “force” is surely located in the various sounds that infuse this perfectly constructed teaser.
Idris Elba stars in Cary Fukunaga’s Beasts of No Nation.
By avoiding major cineplexes and going straight to Netflix subscribers, the critically acclaimed Beasts of No Nation is wading into some uncharted waters.