It's time for governments to put a stop to the twisted logic of gentrification.
The creative economy is failing to live up to the fast-growing, young entrepreneurial image it promotes.
The notion of the creative sector driving fulfilling work as cities shed old industries has worn thin. But those creatives might be delivering value of a different kind, offering a more human future.
Edinburgh is one of the European cities that make the most of their creative and cultural assets.
A comparison of 36 Australian cities finds that, unlike Europe, the data on their creativity and culture are not closely linked to their capacity to generate economic value and social well-being.
How truly innovative are companies like Uber and Airbnb, super-monopolies that capture entire markets by locking vendors and customers into their platforms?
The digital pin-ups' business models actually inhibit serendipity and, indeed, innovation by absorbing entire markets into the sealed-off space of their platforms.
When the smart city looks inhuman: a robot police officer from Dubai greets guests at last November’s Smart City Expo World Congress in Barcelona.
The corporate world has taken the lead in promoting various creative/smart city visions, which struggle to be inclusive, let alone entrust citizens with control over their lives.
City policymakers are realising creative workers don’t have to be permanently clustered together if they can collaborate as needed.
Cities seeking to attract creative industries have relied heavily on the cluster concept. New research suggests a technology-driven transformation of how the sector works calls for a new approach.
The “edgy authenticity” of street art makes it an ideal tool for urban planners seeking to attract the new "creative class".