Indigenous artists and arts centres from the Kimberley region were invited to help curate this new exhibition, presented as part of the Perth Festival 2019.
A new exhibition pairs paintings by Indigenous Australian artists with microscopic images captured by scientists. The parallels, as this gallery of pictures shows, are intriguing.
Today, beauty counts for little in the judgement of works of art. But our felt experience of beauty connects us with an object’s maker, revealing a pure moment of humanity.
Robert Merritt, author of The Cake Man, grew up on the Erambie Mission at Cowra. His play captures the grinding poverty and emotional paralysis of the mission experience.
Bangarra’s current season of three new works, Ones Country, is uneven in parts but worth seeing for the diversity of Indigenous stories from some new choreographic voices.
Clay Stories, a travelling exhibition, showcases ceramic art from Indigenous artists across the country. It is a triumphant display of specific stories and Dreamings, standing against cultural and political amnesia.
Ochre is more than just paint - it tells stories of culture and trade in Indigenous Australians. Using museum artefacts plus science can track ochre sources and untangle a lost history.
Anthropologist Percy Leason thought he was painting the extinction of Victoria’s Indigenous people in the 1930s. He was wrong, but his portraits, part of a new exhibition at the National Gallery of Victoria, are surprisingly sympathetic.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne