Articles sur On playwriting

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Joel Ormsby/flickr

Raising chisel to stone, and making art

The first Australian National Playwrights Centre (ANPC) was founded in 1973 – the age of bongs, thongs and social wrongs. Australian drama was by then well into its Biggest Renaissance Ever. The Pram Factory…
Onstage at the JC Williamson Theatre Royal in Sydney in 1935. Are we treating our playwrights any better than we did then? Wikimedia Commons

Australian plays: how to persuade a nation to question its own soul?

Playwriting occupies a weak position in Australian culture because its historical role is not to be "good", but to be socially acceptable. We need now to take a modern attitude to drama.
Duncan Graham’s 2010 play Cut does not reveal itself as a traditional play does – but it’s a powerful demonstration of the evolution of theatrical storytelling. Garry Cockburn

Playwriting doesn’t get better or worse – but it does evolve

Drama involves an altered representation of reality – and the way we understand both the representations and the reality evolve. Duncan Graham's recent play Cut shows how significantly those understandings change.
We know whether a play such as Andrew Bovell’s Secret River works onstage – but can we explain its effect? AAP Image/Heidrun Löhr

Need a stage coach? Why some plays work, and others don’t

Anyone who has seen a play can tell you whether it "works" or not – but very few people can tell you exactly why. We all need a better grasp of this. Why? So that playwriting can better represent contemporary Australia.

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