Through a nuanced exploration of place, time, and memory, this new video work invites audiences to reflect on landscape and its relationship to the echoes of conflict.
Love Is the Message, the Message Is Death is undeniably rousing; a love song to identity as an unrestricted thing, capable of being motivated by awe and rebellion.
The Body Electric features ground-breaking photography and video from the 1960s, 70s and 80s, alongside more recent work from Australian and international artists.
In 1997 Pippilotti Rist walked down a street of cars and smashed their windows in a vivaciously feminist call to arms. You might recognise the homage to Risk’s work in Beyoncé’s Lemonade.
The small, geographically isolated country of Iceland is a leader in technology, environmentalism, experimental music and feminism. And Bjork, one of its most famous exports, mines all these themes in her new Sydney exhibition.
Jesse Hlebo is troubled. The New York-based artist’s latest exhibition, In Pieces explores information overload and authenticity in the internet era – and it’s a challenging place to spend some time. Walking…
This fall, French street artist JR and American cinematographer Bradford Young each installed a series of portraits in crumbling New York buildings. The two projects were not coordinated, but together…
Earlier this year, Turner Prize nominee Duncan Campbell said that in making films he attempts to find what the writer Samuel Beckett termed “a form that accommodates the mess”. It is exactly this search…
2013 will be remembered as the year analogue television was switched off in Australia. The curators of Tele Visions are celebrating the final days of analogue TV with a set of new and historically significant…