Damian Hill plays Jim, a dad looking after his son.
West of Sunshine takes place over a single day, following Jim, a courier of increasingly dangerous sorts, as he delivers packages across Melbourne.
Marcello Fonte stars as Marcello in Dogman.
In this grim and often bloody tale of dog-groomer Marcello, the canines steal every scene they are in.
Nicolai Khalezin in Generation Jeans.
A pared-down, humorous and intimate monologue, this production explores the human dimension of a political movement. It is a challenge to tacit silence and collective amnesia in Australia also.
Fans await the arrival of boyband One Direction at Sydney Airport in 2012.
Like a good pop ballad, I Used To Be Normal is energetic, colourful and masterfully anchored by a deep and earnest sentimentality.
Adam Driver as Toby AKA Sancho, and Jonathan Pryce as Javier AKA Don Quixote, in The Man Who Killed Don Quixote.
Plagued by production woes for 25 years, The Man Who Killed Don Quixote embraces the spirit of its 17th-century source material. But unlike de Cervantes, Gilliam uses the female characters as props for the hero’s story.
Photogenic Drawing, 2017,
installation view, Sydney Contemporary, Carriageworks.
Photo: Nick Kreisler Courtesy of the artist and Hugo Michell Gallery, Adelaide
The 2018 Tarrawarra Biennial explores the act of creation itself, dissolving boundaries between mind/body, physical/spiritual, and form/content. But the experience in the gallery is sometimes something of an anti-climax.
A “cloud” of Mexican freetail bats leaving their roost.
Bats have symbolised everything from insanity to good luck. A new book explores their place in our collective imagination.
Wayne Blair as Jeremy and Jada Alberts as Simone in Sydney Theatre Company’s Production of The Long Forgotten Dream.
© Heidrun Lohr
In the Sydney Theatre Company's premiere production, white guilt festers as part of the shame, the ongoing, percolating wound that is the plot-space of contemporary colonisation.
Tania Vukicevic as ‘Feminist AF’ Lysa in Lysa and the Freeborn Dames.
Dylan Evans Photography
In La Boite's premiere production, 19-year-old Lysa unleashes a one-woman protest inspired by recent women's marches around the world.
Yoson An and Rachel Griffiths in Dead Lucky.
Dead Lucky tackles issues around worker exploitation, gambling, international students and domestic violence. But it is let down by underdeveloped characters.
Eryn Jean Norvill as Justine in Melancholia: the play echoes and resonates with details of its cinematic predecessor.
A successful adaption of Lars von Trier's film Melancholia breathes new life and energy into its female characters.
Detail from John Russell:
Almond tree in blossom c1887.
oil on gold ground on canvas on plywood 46.2 x 55.1 cm.
National Gallery of Victoria, Melbourne. The Joseph Brown Collection. Presented through the NGV Foundation by Dr Joseph Brown AO OBE, Honorary Life Benefactor, 2004 (2004.216)
John Russell, who was destined to become an engineer, instead became an artist in fin de siècle France – and a friend of Van Gogh, Monet and Rodin.
But is it art…? Fast-car fans Maurice and Harry in the Art Gallery of New South Wales in ABC’s Everyone’s A Critic.
The ABC's reality TV show Everyone's A Critic puts 'everyday' Australians in galleries. It is a compelling premise for an art show, but a tad disappointing.
Emily Gare, Tara Silcock, and Lachlan Sukroo perform a ‘precarious’ shoulder balance.
Precarious, the latest offering from Circus Oz, centres around the tale of a missing seed. It is suitably staged in Melbourne's Botanic Gardens.
Suzani (embroidered textile hanging) Bukhara, Uzbekistan late 19th century.
Vatican Anima Mundi Museum Inv 112536
National Museum of Australia
Despite the beauty and novelty of the objects in the NMA's new exhibition of Islamic art, the exhibition misses opportunities to make Islamic cultures comprehensible.
Elle Fanning as the author Mary Shelley.
The author Mary Shelley wrote Frankenstein when she was 18. A new film investigates the gender politics of the novel's creation.
Rozanna Lilley, the author of Do Oysters Get Bored? A curious life.
Rozanna Lilley’s book Do Oysters Get Bored? explores the complexity of family life, contrasting her own unconventional childhood with caring for her autistic son.
Dancers perform in Bangarra’s premiere production of Dark Emu.
Bangarra's Dark Emu is a response to Bruce Pascoe's book of the same name. But it doesn't embrace the full potential of its source's game-changing impact.
Gavin Webber and Kate Harman in The Mathematics of Longing.
Art Work Agency
In an ambitious new work of theatre and dance, performers read out mathematical theories then build scenes around them.
Salvador Dalí (Spanish, 1904–1989), The Persistence of Memory, 1931, Oil on canvas, 9 ½ x 13" (24.1 x 33 cm).
The Museum of Modern Art, New York. Given anonymously © 2016 Salvador Dalí, Gala-Salvador Dalí Foundation / Artists Rights Society (ARS), New York
All of the big names are present in this show – from Vincent van Gogh, Pablo Picasso and Frida Kahlo to Roy Lichtenstein and Cindy Sherman – and represented by some of their best-known work.