Australians are deeply attached to the cluster of beliefs and traditions we call the ‘Anzac legend’.
In 1960, historian Ken Inglis wondered if Anzac functioned as a secular religion in Australian society. In 2017, we can confidently answer: yes, it does.
The Qingming Festival, also known as Tomb-Sweeping Day, is marked by Chinese people by going to the cemetery to clean up tombs, bring flowers, and make offerings to their ancestors.
Like Australia, China traditionally commemorates those who served in war in April each year, and increasingly they do it via social media.
Recep Tayyip Erdoğan has been a central figure in linking the Gallipoli campaign with Islamic conceptualisations of the Turkish nation.
The Gallipoli campaign has, in recent years, increasingly become part of the culture wars in Turkey associated with the rise of political Islam.
The tragedy that unfolded 20 years ago added another layer of horror to a site already scarred by atrocity.
The 20th anniversary of the massacre at Port Arthur again raises pressing questions about ways of remembering the tragedy.
The Cu Chi tunnels may be the most popular of the ‘war tourism’ attractions in Vietnam.
Might the rise of heritage tourism and the increasing ease of international travel lead to more of Australia’s military experiences overseas being better understood?
Remembering the fallen.
Gallipoli has become an enduring symbol of World War I's futile carnage. But the campaign did have a purpose.
For those who were there one hundred years ago, Gallipoli was not the stuff of legend that it later became, but a site of regret and despair.
A young Henry Moseley in the lab.
Henry Moseley, one of the outstanding young scientists of his generation, was shot and killed in the trenches of Gallipoli. But his death helped change the way that scientists are used in wartime.
The Lost Battalion, 2015. Acrylic, soil, charcoal and shellac on paper. Lev Vykopal.
Fremantle Arts Centre
Tackling Gallipoli is an onerous challenge: it carries baggage that must be accommodated or unpacked with extreme care. Western Australian artist Lev Vykopal’s two exhibitions offer a mix of reverence, analysis, critique and poetry.
Australian newspaper photographers have always been forbidden to show military failure or fragility.
AAP Image/Dave Hunt
Although more than 100,000 Australians have lost their lives as a result of war service, photographs of our dead have never been published in newspapers.Perhaps we should reconsider this.
‘Let me try and put sacked SBS sports journalist Scott McIntyre’s tweets in historical perspective.’
It is naïve to expect men to kill and die for their country, to live through the horrors of a particularly barbaric war, and to come out the other end unscathed – despite our popular myths.
A French field kitchen in use by the French troops within half a mile of the Turkish lines on the southern section of Gallipoli Peninsula, 1915.
As Australians commemorate the Anzacs who died at Gallipoli, spare a thought for the 10,000 French soldiers who also died on the Dardanelles in the first world war.
Livestock wagon with Armenians in the Summer or Autumn 1915.
Historisches Institut der Deutschen Bank, Frankfurt.
In 1915 and 1916, the Ottoman Armenians were destroyed as an organised community and more than one million of their number were killed – just as the Allies' failed invasion of Gallipoli took place.
The Australian flag is flown at Anzac Day parades but it’s not the flag that soldiers at Gallipoli fought under.
AAP Image/ Dan Himbrechts
When Australian soldiers fought at Gallipoli, they did so under the Union Jack. Our flag has changed since then and debates about national identity have shifted. Is it now time for a new flag?
Would the Anzac Day game of two-up be a more meaningful commemoration if it were still illegal?
Anzac Day is the one day of the year it's legal to play two-up. If we want to retain the thrill that was so important to the diggers, we'd keep it illegal rather than sanitising the practice.
Anzac soldiers line up for water parade, Gallipoli 1915.
The appalling conditions at Gallipoli indicate the wholly inadequate planning and response of the British and Allied military authorities to basic human needs.
The idea of the Anzac soldier, as crafted by Australia’s official historian at Gallipoli, Charles Bean, has dominated historical memory.
Charles Bean made editorial decisions to eliminate the bloody realities of war in favour of a specially crafted and idealised construction of the Anzacs and the Gallipoli campaign.
Had hundreds of thousands of young Turkish men not joined the army and headed to Gallipoli, it’s without doubt modern Turkey would not have been formed.
What is rare in Australia is an adequate explanation and understanding of the Turkish perspective of the Gallipoli campaign.
The Anzac landings at Gallipoli in April 1915 marked the beginning of another instance of conflict in the war-rich region’s history.
The history of the Gallipoli region enhances the story of the Anzac campaign and situates it in a notably rich cultural context.
In 1915, Australians came to terms with total war – and were prepared for the battle at Gallipoli and conscription in 1916.
Australian War Memorial/Flickr
It was not the excitement but the seriousness of the first world war that captured the imaginations of Australians. The experience of 1915 had a marked effect on local commitment to winning the war.