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Detail from Witchetty Grub Dreaming, Jennifer Napaljarri Lewis, Warlukurlangu Artists of Yuendumu. Courtesy of the artist

The resonances between Indigenous art and images captured by microscopes

A new exhibition pairs paintings by Indigenous Australian artists with microscopic images captured by scientists. The parallels, as this gallery of pictures shows, are intriguing.
Moliere Dimanche would use anything he could scrounge up – pieces of folders, the back of commissary forms, old letters – as canvases. Moliere Dimanche

Through his art, a former prisoner diagnoses the systemic sickness of Florida’s penitentiaries

From solitary confinement, Moliere Dimanche started drawing on anything he could find. The result was a series of fantastical, allegorical images that depict abuse, racism and profound isolation.
Sidney Nolan’s Steve Hart dressed as a girl 1947 from the Ned Kelly series 1946 – 1947 enamel paint on composition board 90.60 x 121.10 cm. Gift of Sunday Reed 1977 National Gallery of Australia

Here’s looking at: Steve Hart dressed as a girl, 1947 by Sidney Nolan

As a bushranger in the Kelly gang, Steve Hart took to dressing as a woman and riding side-saddle to avoid detection. Sidney Nolan's painting captures Hart's adolescent cockiness, bravery, and foolhardy bluster.
Peter Thomas of the Winnipeg Art Gallery (left), Marcel Dionne of Roarockit (centre) and Jaimie Isaac, curator for Indigenous/Contemporary at the Winnipeg Art Gallery (right), are seen building a skateboard using a do-it-yourself kit in this 2017 photo. Art and design schools should reward those who actually build and create more than they do design theorists. (Author provided)

Art and design schools must cultivate creators, not theorists

Even as our world goes digital, there will always be an appetite for craftsmanship, for art and for the work only human hands can truly bring to life. Art and design schools should celebrate creators.
A scene from the best-selling ‘Red: A Haida Manga,’ a revenge story. Michael Nicoll Yahgulanaas

Haida manga: An artist embraces tragedy, beautifully

The "Haida manga" by Indigenous artist Yahgulanaas opens a graphic dialogue between the different cultures of the Pacific Northwest and East Asia.
Close up of the wheel in Marcel Duchamp’s Bicycle Wheel, 1951 (third version, after lost original of 1913) Metal wheel mounted on painted wood stool. The Museum of Modern Art, New York. The Sidney and Harriet Janis Collection© 2016 Artists Rights Society (ARS), New York / ADAGP, Paris / Estate of Marcel Duchamp

Here’s looking at: Marcel Duchamp’s Bicycle Wheel 1913

In his Bicycle Wheel, Duchamp made the perfect kinetic Futurist sculpture.

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