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Paul Signac, ‘Leaving the Port of Marseille’ 1906/7 oil on canvas, 46 x 55.2 cm, The State Hermitage Museum, St Petersburg, Inv GE 6524. Photo: © The State Hermitage Museum 2018, Vladimir Terebenin.

Modern Art from The Hermitage showcases the French gems of two great merchant collectors

In the early 20th century, two families of collectors brought the best of modern French art to Russia. Many of their paintings - including works by Picasso, Matisse and Cezanne - can now be seen in Sydney.
Dorrit Black, The Bridge, 1930. Oil on canvas on board, 60.0 x 81.0 cm. Bequest of the artist, 1951, Art Gallery of South Australia, Adelaide.

How our art museums finally opened their eyes to Australian women artists

Dorrit Black, Grace Cossington Smith and Grace Crowley were some of many talented modernist women artists. But only with the advent of second wave feminism in the 1970s was their work properly acknowledged.
Exhibition installation view of Robert Mapplethorpe: the perfect medium at the Art Gallery of New South Wales, 27 Oct 2017 – 18 Feb 2018. All artworks © Robert Mapplethorpe Foundation. Used by permission. Photo: AGNSW, Christopher Snee

Friday essay: Mapplethorpe and me

The distinctive visual style of Robert Mapplethorpe’s beautiful, oversized images seems now more classical than shocking. But he can still reveal the subconscious of an era we think we have outgrown.
Louise Bourgeois’s. Arched figure 1993: powerful and unforgettable. Art Gallery of New South Wales Foundation Purchase 2016 © The Easton Foundation.

Review: The naked nude from the Tate

The Art Gallery of NSW's summer blockbuster sparkles with famous names, including Picasso, Matisse, Turner and Rodin. But for all of its trumpeting of risk and daring, it remains essentially a rather puritanical exercise.

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