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Salvador Dalí (Spanish, 1904–1989), The Persistence of Memory, 1931, Oil on canvas, 9 ½ x 13" (24.1 x 33 cm). The Museum of Modern Art, New York. Given anonymously © 2016 Salvador Dalí, Gala-Salvador Dalí Foundation / Artists Rights Society (ARS), New York

MoMA at NGV is a landmark exhibition – rich, dazzling and profoundly visually exciting

All of the big names are present in this show – from Vincent van Gogh, Pablo Picasso and Frida Kahlo to Roy Lichtenstein and Cindy Sherman – and represented by some of their best-known work.
In Upgrade, a man is implanted with AI, which gives him superhuman capabilities. Screenshot from Youtube

Upgrade is an extremely pleasurable sci-fi revenge film

Upgrade, the latest film from Saw creator Leigh Whannell, is one of the best Australian films of the 21st century.
Tony Albert Girramay/Yidinji/Kuku Yalanji peoples. Australia Qld/NSW b.1981. Mid Century Modern (series) 2016 Pigment prints | 24 works: 100 x 100cm (each) Collection: The artist. Courtesy: Sullivan+Strumpf, Sydney

Tony Albert’s politically charged kitsch collection confronts our racist past

Tony Albert reassembles items of ‘Aboriginalia’, featuring kitsch caricatures of Indigenous people, with wit, playfulness and serious intent.
Installation view of Kelly Doley’s Things Learnt About Feminism #1–95 2014: a Day-Glo wall of wisdoms, homilies and histories. Collection: Cruthers Collection of Women’s Art, University of Western Australia Photograph: Robert Frith - Acorn Studios

A riotous, often ribald exploration of feminism’s unfinished business

A collaborative Melbourne exhibition traces the concerns of women since the 1970s.
Installation view: Yayoi Kusama: Life is the Heart of the Rainbow at the Gallery of Modern Art, Brisbane, 2017. Natasha Harth, QAGOMA

From selfie to infinity: Yayoi Kusama’s amazing technicoloured dreamscape

Yayoi Kusama, arguably Japan’s most famous living artist, has been making art for 65 years. A new exhibition traces her output: from her dazzling mirror and polka-dot infused installations to paintings and sculptures.
Detail from Gerhard Richter’s Reader (804), 1994 Oil on canvas. 72 x 102cm. Collection: San Francisco Museum of Modern Art, USA Purchase through the gifts of Mimi and Peter Haas and Helen and Charles Schwab, and the Accessions Committee Fund: Barbara and Gerson Bakar, Collectors Forum, Evelyn D. Haas, Elaine McKeon, Byron R. Meye

Gerhard Richter: The Life of Images is an unmissable show

Gerhard Richter - one of the giants of post-war German art - is elusive, enigmatic and seemingly impossible to pin down. The first retrospective exhibition of his work in Australia is a brilliant and challenging event.
Detail from NigeI Milsom (Australia, 1975–), Judo House Part 6 (The White Bird), 2014–15 oil on linen, 230 x 194 cm. Reproduced courtesy of the artist and yuill|crowley, Sydney. Photo: Art Gallery of New South Wales

Sex and spirit: the many faces of ecstasy

The Ecstasy of St Teresa is the point of departure for a new exhibition examining ecstasy in all its guises, from the sexual to the spiritual to the banal.
Detail from Fred Williams You Yang Pond 1963. oil on composition board Art Gallery of South Australia, Adelaide Gift of Godfrey Phillips International Pty Ltd 1968 © Estate of Fred Williams

Fred Williams in the You Yangs: a turning point for Australian art

A new exhibition features more than 50 works by Fred Williams, centred on the You Yangs peaks, west of Melbourne. They illuminate a breakthrough moment in Australian art.
This photo of Pearl Mackenzie, taken by Charles Mountford in 1937, is part of the UNESCO-listed Mountford-Sheard Collection. Image courtesy of the State Library of South Australia and the Adnyamathanha Traditional Lands Associatio

Revisiting colonial ruin in the Flinders Ranges

UNSETTLED, an extraordinary exhibition in Adelaide, displays the UNESCO-listed Mountford-Sheard Collection of photographs in a new context.

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