I took my young son Heathcliff to the show, and his perspective helped me see it through a kid’s eyes.
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Shakespeare will be all but absent at Australian theatres in 2024 – but we need to embrace the complexities of the canon, not shy away from it.
Our new report asks if achieving environmental sustainability should be a key goal for all Australian performing arts companies.
After two years of COVID-delay, Bell Shakespeare’s Hamlet reflects both personal and global tragedies.
The founder of the Bell Shakespeare Company has written a book gleaning leadership wisdom from the bard. But figures such as Richard III and Julius Caesar are hardly ones to emulate.
Mulvany’s performance reminds us that Shakespeare still has the power to reveal the true monsters of our culture.
Othello is one of Shakespeare’s most famous tragedies. But in the light of 21st-century understandings of abuse, the play is recast as a textbook case of domestic terrorism.
Hamlet is a play that haunts itself. Its saturation into cultural consciousness means that watching a performance is inevitably a process of past ghosts and past echoes framing the current performance.
Bell Shakespeare’s new production of William Shakespeare’s Henry V – which opened in Canberra on June 14 – interrogates the complexities of war through a unique framing device: its scenes are played out…
Kontributor teratas
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Lecturer in English, Australian National University
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Lecturer in English and Writing, University of Sydney
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Lecturer Dispute Resolution Advocacy, University of Technology Sydney
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Winthrop Professor of English, The University of Western Australia
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Media Writer for TransCollaborate, Monash University
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Lecturer in English, University of Newcastle
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Senior Lecturer Humanities, Griffith University
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Senior Lecturer, Queensland College of Art, Griffith University
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Lecturer, School of Education and Professional Studies, Griffith University
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Professor of Creative Arts, Griffith University
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PhD Candidate in Drama and Theatre Studies, The University of Queensland
