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Untitled (all), Hans-Jörg Georgi, 2010–15, Courtesy of The Museum of Everything. Moorilla Gallery, Courtesy of Atelier Goldstein and The Museum of Everything (installation by Lutz Pillong)

The compulsion to create: ‘outsider art’ at MONA’s The Museum of Everything

MONA's latest exhibition draws on the work of people - patients, housewives, hermits - who were compelled to create, raising age-old questions about how we define art.
One of Hermann Nitsch’s previous works, the Orgies Mysteries Theatre in Italy, 2015. AAP/Antonio Melita

Dark Mofo’s slaughtered bull and the ethics of using animals in art

There is a history of mistreatment of animals in the name of art. But isn’t it about time artists made their point about human domination without themselves asserting dominance over beasts?
Visitors take in Cameron Robbins’ Field Lines at the Museum of Old and New Art. Mona/Remi Chauvin

Dark Mofo and the affective power of a creative storm

Hobart's winter festival explores darkness, storms and the very nature of the universe, with artwork performed in an asylum; echoing the elements and conceived while on a residency at Geneva's Centre for Nuclear Research.
Antony and the Johnsons fit perfectly within the world of Dark Mofo. Images courtesy of Dark Mofo

Antony and the Johnsons at Dark Mofo: uplifting, sombre, beautiful

Transgender artist Antony Hegarty has successfully used her notoriety to publicly address issues close to her, including transgender politics, ecological consciousness and indigenous spirituality.
So cold it’s hot … The Winter Feast crowd fan the flames at Dark MOFO 2014. MONA/Rémi Chauvin Image Courtesy MONA Museum of Old and New Art,

Where the dark gets in: why Dark Mofo lightens a crowded calendar

We're not short on festivals in Australia, so new events need to make their presence felt. What's the secret of Dark Mofo, which is about to enjoy its third outing?

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