Agatha Christie never explicitly said so, but many of her Belgian detective’s character traits could be interpreted as being autistic.
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English professor Frannie Thorstin gets tangled in a sticky web of male attention in the novel and film versions of In the Cut as she tries to sort the bad guys from the good.
Kevin Brophy’s favourite detective — Kurt Wallander — has aged just ahead of him, made mistakes and lived vividly.
Novelist Emily Bernhard Jackson has identified an important gap in contemporary crime fiction: middle-aged women detectives.
An increasing amount of the BBC’s content comes via collaborations with international production houses.
Australia’s rich tradition of crime fiction is little known – early tales told of bushrangers and convicts, one hero was a mining engineer turned amateur detective – but it reveals a range of national myths and fantasies.
He was pigeonholed as a ‘crime writer’ but Dexter’s intelligent style set him above the genre.
Ridley Scott’s ‘Blade Runner’ has transcended its sci-fi/hardboiled noir detective thriller formula to spawn a dedicated cult following.
Kontributor teratas
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Lecturer in English, University of Exeter
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Research Associate, Research Centre, Faculty of Fine Art, Design and Architecture, University of Johannesburg
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Professor East Asian Cinema, School of East Asian Studies, University of Sheffield
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Emeritus Professor of Creative Writing, The University of Melbourne
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Senior Lecturer, Bangor University
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Associate Professor, Griffith University
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Honorary Research Professor, The University of Melbourne
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Assistant researcher in Public Health, Swansea University
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Visiting Senior Fellow in English and Creative Writing, University of Suffolk
