How culture can inform technological innovations.
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Activist art makes clear that the border dynamic is a lot more complex than Trumps’s ‘them/us’ rhetoric.
We don’t just hold our phones, we cradle them – and make films like this one with them.
Memory has become prosthetic – outsourced to the internet. But remembering, not forgetting, is the enemy of creative reinvention.
Time travelling back into internet art of the past, the contrast between today’s paranoia and banality and the early optimism that initially greeted it is striking.
That traditional monolith of culture, the museum, has begun to embrace the digital world. As a series of projects reveal, the possibilities are endless.
This year has already seen the first selfie movie, the first series to air on Instagram – mobile phones are increasingly playing a major role in the film world.
Latin America might have found itself on the dark side of the “digital divide” over the last 20 years or so, but this hasn’t impeded the development of digital arts there.
Kontributor teratas
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Professor in Digital Arts, Royal Holloway University of London
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Professor of Screen Media, King's College London
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Senior Lecturer in Latin American Studies, University of Leeds
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Senior Lecturer in Writing, Bangor University
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Lecturer in American Studies, University of Hull
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Professor of Shakespeare Studies, University of Oxford
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Professor in Hispanic Studies, University of Liverpool
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Chancellor's Fellow - Journalism, Media and Communication, University of Strathclyde
