Recent coments by ARIA CEO Annabelle Herd reveal a jarring discrepancy between our support for Australian musicians and our actual listening and spending habits.
Disiplin ilmiah, gaya jurnalistik
Artikel-artikel mengenai Eurovision
Menampilkan 1 - 20 dari 38 artikel
Perth synth-metal band Voyager was voted ninth in the world at the 2023 Eurovisions. Was the keytar the secret to their success?
Sweden’s Loreen is now the second person to win Eurovision twice, the first woman to win twice, and the first LGBTQIA+ artist to win twice.
Thanks to the popularity of shows such as RuPaul’s Drag Race, camp is now mainstream. This is perhaps one reason Eurovision has suddenly become perceived as cool.
Offering an inclusive and diverse space for self-expression, Eurovision has found an appreciative audience in the LGBTQ+ community over the years.
2023 sees the UK host the Eurovision Song Contest on behalf of Ukraine. But what role does the stage itself have to play in the musical spectacle?
The UK has now chalked up a record 16 second place finishes. But what would it take to go one better and win the whole thing?
Let’s get one thing straight from the get-go: this contest is way older than the European Union.
When Teya and Salena take to the Eurovision stage next week, their song may be new, but their story of ghostly authorship and spirit possession comes straight from Poe’s work.
Moving the voting system away from experts could be interpreted as a tactic to include American audiences.
Ukraine is partnering with an advertising company to produce an innovative nation branding campaign during a war. The campaign could have influence beyond how Ukraine and Russia conduct this war.
For many, the 2022 Eurovision Song Contest has answered the eternal question: is Eurovision political?
Ukraine’s Eurovision contestant is building on a wave of support for the nation’s music in past contests.
Politics have never been that far away from the Eurovision Song Contest. Since its inception, the annual event has reflected the political culture and geopolitical realities of Europe.
Eurovision costumes embody the cultural values, national spirit and expressive agency of the artist. Here are the best (and weirdest) of the bunch.
Australia was the only nation to perform ‘live-on-tape’ in the first Eurovision semi-final. Some suggest this hindered our chances, but taped performances may be the way of the future.
The movie is indeed a silly look at how sharing song and media in popular culture can affect how we relate as individuals and nations but it also carries deeper insights.
Bursting with bubblegum Scandi-pop, this glitzy, sequinned melodrama might just be the thing to fill that discoball-shaped hole left by this year’s cancelled Eurovision.
After the UK flopped in the 2019 Eurovision Song Contest, there’s an appetite for another kind of Brexit. But this wouldn’t be a good idea.
Long known as a spectacle of quirky Euro-kitsch, this year’s contest more closely resembled singing TV shows such as The Voice. Notable exceptions, however, were Iceland’s Hatari and our own Kate Miller-Heidke.
Kontributor teratas
-
Associate professor in Humanities, University of Southern Queensland
-
Lecturer, Leeds Beckett University
-
Reader in 20th Century History, University of Hull
-
Co-director of The J.M. Coetzee Centre for Creative Practice, University of Adelaide
-
The University of Melbourne
-
Professor of Law, King's College London
-
Professor Emerita, Classical Studies, The Open University
-
Non-Clinical Lecturer in Biostatistics, Imperial College London
-
Professor of Drama, Flinders University
-
Associate Professor of Design Research, Emerging Technology Research Lab, Monash University, RMIT University
-
Lecturer in Medical Statistics, UCL
-
Rector, ESCP Business School
-
Senior Lecturer Visual and Material Culture, Nottingham Trent University
-
Teaching Associate in Politics and History, Monash University
-
Associate professor, Music Industry, RMIT University
