Paul Laurence Dunbar became the first Black writer to earn international acclaim through his poetry, essays and musical lyrics.
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As Martin Luther King Jr. gained national prominence, the FBI launched several investigations to prove that King and his radical allies were communist sympathizers and a danger to America.
The end is often envisioned the same way: abruptly, hopelessly and completely. How does this constrain the range of possible solutions?
Black writers like Charles Chesnutt had to contend with a dilemma writers today know all too well: give the audience and editors what they want, or wallow in obscurity.
To foreigners, he was a fellow traveler who recognized the plight of the oppressed.
Two men were convicted in 1859 of violating the Fugitive Slave Act. They had rescued a runaway slave from slave hunters in Ohio, one of the small acts of resistance that led to the Civil War.
In order to avoid being labeled a communist sympathizer, King needed to publicly distance himself from the controversial poet. Privately, King found ways to channel Hughes’ prose.
Keorapetse Kgositsile was made South Africa’s national poet laureate in 2006, the only person to have been given the honour.
He was criticised for leaning on the crutch of his guitar, but if Dylan leaned on anything, it was his love of poetry.
Kontributor teratas
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Professor of English, North Carolina State University
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Williams Memorial Professor of Law, Northwestern University
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Senior Lecturer In Creative Writing, University of Roehampton
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Lecturer of Labor Studies, University of California, Los Angeles
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Professor of American History, University of Colorado Colorado Springs
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Postdoctoral Fellow in African American Studies, University of South Carolina
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Professor of Literature, American University
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Political Scientist, University of the Western Cape
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Associate Professor of Music, University of Dayton
