Artikel-artikel mengenai Museums

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With a lot not on display, museums may not even know all that’s in their vast holdings. AP Photo/Jae C. Hong

Digitizing the vast ‘dark data’ in museum fossil collections

A tiny percentage of museums’ natural history holdings are on display. Very little of these vast archives is digitized and available online. But museums are working to change that.
Brazil’s gutted National Museum now resembles an archaeological ruin itself. AP Photo/Mario Lobao

Lesson from Brazil: Museums are not forever

It's a comforting falsehood that once an artifact joins a museum's collection, it's safe for eternity. Museums face many foes in the fight to preserve – a lack of funds might be the biggest.
There are many ways the not-for-profit GLAM sector - public galleries, libraries, archives and museums - could be protected from potential copyright damages claims. from www.shutterstock.com

Why the not-for-profit cultural sector needs tailor-made copyright safe harbours

Australia's plan to extend ISP 'safe harbour' copyright immunities to cultural institutions avoids more nuanced thinking about the nature and social value of culture, art and education.
Tommy Wiseau clutches a football in ‘The Room,’ the 2003 film he wrote, produced and starred in. Wiseau Films

What makes some art so bad that it’s good?

Sometimes a work of art is characterized by a string of failures, but nonetheless ends up being a gorgeous freak accident of nature.
Indigenous Australians use ochre to add colour and detail to items such as this shield at the South Australian Museum. Image courtesy of South Australian Museum

When bacteria tell a story: tracing Indigenous Australian ochre sources via microbial ‘fingerprinting’

Ochre is more than just paint - it tells stories of culture and trade in Indigenous Australians. Using museum artefacts plus science can track ochre sources and untangle a lost history.

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