For some musical artists, TikTok has become a beacon in an otherwise dismal digital streaming landscape.
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The live streaming of music events online is full of potential – but right now few artists or hosting venues are earning much from it.
Why 50/50 festival line-ups are not an easy solution to gender inequality.
There’s a new Prince album coming out, two years after his death. Would the artist approve?
Rock'n'Roll has long been associated with sexual misconduct but there are signs the industry is waking up to this.
Festival-goers are changing and their expectations of what makes a headline act are becoming more diverse.
All too often the women beside rock music’s giants are not given credit for their influence.
2016 has been a grim year for pop music, but the latest celebrity deaths highlight the depth of our rich popular culture.
You don’t have to be an ‘elder statesman’ to have led an interesting life.
Auto-Tune was originally developed as a tool in the oil exploration industry, but now it’s widely used in pop music.
This big budget series about the rock business failed to connect with its market.
Kontributor teratas
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Senior Lecturer in Popular and Contemporary Music, Newcastle University
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Professor in Spanish Studies, University of Leeds
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Lecturer of Media Studies, University of Colorado Boulder
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Lecturer in Popular Music, University of Kent
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Professor, Queen Mary University of London / Co-founder, Nemisindo, Queen Mary University of London
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Senior Lecturer in Commercial Music Performance, University of Westminster
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Senior Lecturer, School of Art, Media and American Studies, University of East Anglia
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Associate of the Gordon Institute for Business Science, University of Pretoria
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Professor in Organisation Studies and HRM, and Departmental Research Lead, University of Portsmouth
