The poster for Stranger Things, which stars Winona Ryder, Matthew Modine and some brilliantly charismatic newcomers.
21 Laps Entertainment
The Netflix series Stranger Things is a throwback to the glory days of cinematic horror. And as VHS disappears from our shelves, this show's 80s-infused nostalgia is doubly poignant.
A rare sight these days, with the decline of the VHS.
The era of the VCR is coming to a close, but it's impact on the way we consume and produce content has been profound.
Is it really worth all the effort to avoid spoilers?
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Contrary to popular belief, several recent studies suggest that plot spoilers don't always make us like a film or books less – and may even make us like it more.
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The popular TV series encourages us to question how we understand identity and community in light of religion.
The court ruling will keep all internet traffic treated equally.
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If you like binge-watching Netflix, streaming audio or online gaming, then you should be celebrating this week. And if your business depends on reaching a wide audience online, you should join in.
Pay TV is growing globally, and programming data is now up for grabs.
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A move by the US to open up more competition in pay-TV has sparked a debate about TV viewing data.
Television is changing rapidly in the Netflix era, but are Australia’s industry protections keeping up?
The European Union is considering imposing a local content quota on video streaming services such as Netflix and Amazon. With local storytelling under threat from global tech giants, could such an approach work here?
Mobile is a big feature of YouTube Red.
There's a new video-on-demand service in Australia, and it might shake up the sector given its unconventional approach and appeal to young people who shun traditional television viewing.
If you want to safeguard the licence fee and shore up public-service content, time to introduce democracy to the BBC.
Both the outrage and relief prompted by the BBC White Paper miss the time bomb that will ultimately determine the Corporation’s future.
Cofounder and CEO of Netflix Reed Hastings delivers a keynote address at the 2016 CES trade show in Las Vegas, Nevada.
Because Netflix continually upends established business models, evaluating the company can difficult.
Local voices are more important than ever in a time of global oligopolies.
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In a global era dominated by Facebook, Apple, Amazon, Netflix and Google, we need to find persuasive, creative ways to answer those who claim the national and local are now irrelevant. If we don't, we will become invisible.
Online vs the traditional broadcaster for watching television.
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Prime-time TV audiences continue to drop as people switch over to watch online content.
Much mightier than any sword.
The generation of designers broke out of their studios and took the business world by storm. Their skills could also be turned to bigger world problems.
Foxtel to compete against Telstra?
Foxtel has previously been coy about confirming speculation it is planning to launch a service that will compete with Telstra TV and Apple TV. But new chief executive Peter Tonagh has now told reporters…
Jussie Smollett, who plays Jamal Lyon on Empire, attends a viewing party sponsored by Pepsi.
Hip Hop Weekly
The lines are blurring between programs and commercials.
Many people already use a second device when watching television, but can Netflix combine the two experiences?
Many Australians already browse the web or send emails and messages to friends while watching television. Now Netflix wants to do what others have failed to do: combine both experiences in one app.
Who would you rather have as president: Frank Underwood or Donald Trump?
In the authors’ study, 35 percent of respondents said they’ve binge-watched TV.
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TV networks and streaming services are encouraging viewers to binge-watch their favorite shows. But findings from a recent study point to a potential public health concern.
Netflix is spending big on original content to attract new users around the world.
The success of original series TV is opening up new opportunities for producers, owners and audiences.