Original content made by subscription and on demand platforms such as Netflix and Amazon is taking off – but what does that mean for women screenwriters and producers?
Netflix's new film To The Bone simplifies the social causes of anorexia.
A unique set of circumstances allowed HBO to beat Netflix to the punch.
WWE and Netflix's GLOW wrestlers will never be as strong as Britain's underground girl gang of wrestlers
Many psychologists claim that 13 Reasons Why could incite young people to take their own lives. But their claims aren't supported by evidence.
New ABS figures on film, TV and digital gaming show that subscription broadcasters and online content creators are booming. Yet local content quotas only apply to free-to-air broadcasters.
Netflix's biggest hit is the most empowering programme to air in years.
Twin Peaks has just hit our streaming services, again, alongside reboots of the X-Files, Gilmore Girls, and more. But, despite our nostalgia, they'll never revive the specific time they were born in.
The Wachowski sisters' TV series is a celebration of empathy and community.
Given the carnivorous trend of the US presidency, it is unsurprising that food is a significant metaphor in House of Cards.
Films funded and streamed by Netflix and Amazon are playing an important role in this year's festival.
Police drama Happy Valley beat off the challenge of high-profile streamed dramas to carry off the big prize.
While there are some some safety concerns about watching the show, 13 Reasons Why raises many issues relevant to adolescents – and we should learn from them.
Cancer researchers dream of offering personalized treatments to patients. Can they get there using the same math that drives Netflix recommendations?
Don't listen to the headlines linking binge watching to depression and loneliness. It can be a positive experience – but only if we think of it as a good thing.
Is it time the Premier League developed an on-demand, Netflix-style football watching service?
It's not all child's play.
Netflix has seamlessly adapted to new technologies and disrupted existing business models. But unlike traditional media enterprises, Netflix has never tried to attract a mass audience.
The recently broadcast TV mini-series, “Mars”, combines fiction and nonfiction in a way that places them in balance. This kind of combination is likely to feature in more television series and films.
The traditional TV schedule is still more important than we might think.