Few of them are getting rich off their books but the genre is making them more money than it used to.
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This year is the bicentenary of Jane Austen's death and her celebrity continues to grow. But relegating Austen's work to plots about 'whether the heroine gets her man' belittles her achievement.
Perhaps we can think of the love letter and other gestures of romantic love as forms or techniques that mediate the violence of time, dispossession and exclusion.
Can a gender studies academic also write Mills and Boon novels? And can purple prose be as empowering as a pink pussy hat? The answer is yes, and yes again.
Despite the escapist nature of these romance novels, there is a considerable amount of realism contained within their pages.
A young Aboriginal woman falls in love with an escaped Japanese POW in 1944. Anita Heiss' new book entwines romance with questions of enmity and friendship: who is fighting whom?
A relationship expert recommends her favourite romantic fiction – and it doesn't have to be all princes and fairytales.
Crimson Peak reminds us that gothic romance is the originator of modern horror: gothic and romance are inextricably related.
Buttons open to the waist, skin gleaming with sweat, hair tousled, intriguing flashes of curves … men on the covers of classic romance novels, or “bodice rippers”, are objectified in many of the same ways…
Kontributor teratas
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Research assistant, University of Southern Queensland
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Postdoctoral research fellow, University of Sussex
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Senior Lecturer in English, Manchester Metropolitan University
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Gillian Dooley adalah Sahabat The Conversation.
Adjunct associate, Flinders University
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PhD Candidate, Australian Literature, Australian National University
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Lecturer in African Literature, University of the Witwatersrand
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Senior Lecturer School of Arts and Humanities, Edith Cowan University
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Doctoral Researcher, School of English, University of Sheffield
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Assistant Professor of Journalism, University of Colorado
