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Erin Ball performs at Cripping the Arts at Harbourfront Centre in Toronto, in January 2019. She balances with her hands on the arms of an old wheelchair. Behind her, two long pegs extend from her prosthetic legs. (Michelle Peek Photography for ReVision)

How a radical form of accessibility is pushing the boundaries of theatre performance

Rustle your program without getting a glare at a relaxed performance — an art form in synch with the growing field of disability arts.
Zahra Newman in Wake in Fright. A new adaptation of Kenneth Cook’s novel retells the story of a man’s descent into violent masculinity with a female voice, accompanied by visual and aural spectacle. Pia Johnson

A radical new adaptation eviscerates the dominance of male voices in Wake in Fright

In a new adaptation of the classic Australian novel, the story of masculinity and despair in the outback is told through a female voice.
Scott Sheridan and Natasha Herbert in Cloudstreet, a new production of the stage adaptation of Tim Winton’s literary epic. Pia Johnson

In Cloudstreet, nostalgia all too easily redeems Australia’s colonial past

A new production of Cloudstreet - the play adapted from Tim Winton's literary epic - is visually arresting. But despite a diverse cast, Indigenous characters remain spectral and peripheral.
Documentary play drawing on drama classrooms from England to Taiwan tells the story of global youth. From Left: Aldrin Bundoc, Zorana Sadiq, Amaka Umeh, Loretta Yu, Stephen Jackman-Torkoff, Liisa Repo-Martell. And in the foreground: Emilio Viera. Aleksander Antonijevic/Project Humanity/Crow’s Theatre

Youth find hope for the future through documentary play

A study that showed youth in five global cities lose hope as they grow into adulthood was turned into an elegant and beautiful documentary play with a plea to listen to the urgent calls of youth.

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