Darrin Sean Verhagen

Experience

• –present
  Senior Lecturer in Sound Design, RMIT University

Education

• 2015 
  RMIT, PhD

Publications

• 2015
  Science Fiction: What’s Wrong? The sounds of danger versus hearing dangerously, in L. Marvell,& S. Redmond (eds.) Endangering Science Fiction, New York: Routledge
• 2015
  Seeing, Sensing Sound: Eye Tracking Soundscapes in Saving Private Ryan and Monsters, Inc, . in C. Reinhard & C. Olson (eds.) Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship. New York, NY. Bloomsbury,
• 2015
  Sound (Image, Text): Audiovisual Relationships in M+M, Australian drama studies, issue 67
• 2008
  Audiovision, psy-ops and the perfect crime: Zombie agents and sound design, Scan: Journal of Media Arts Culture 5 (2), 1-7, 2009

Grants and Contracts

• 2016
  Einsturzende Neubauten’s Klangbewegungmaschine

  Role:

  concept, production

  Funding Source:

  Goethe Institute, RMIT Gallery

• 2016
  line_array

  Role:

  concept, composition, production

  Funding Source:

  City of Melbourne

• 2014
  The Audiokinetic Jukebox: Program 2

  Role:

  concept, composition, production

  Funding Source:

  NGV

• 2014
  A series of Small Wire Objects (many of them uninteresting): Object 1

  Role:

  concept, composition, production

  Funding Source:

  Arts Victoria

• 2014
  • “A series of Small Wire Objects (many of them uninteresting): Object 2

  Role:

  concept, composition, production

  Funding Source:

  Experimenta

• 2013
  The Audiokinetic Jukebox: Program 1

  Role:

  concept, composition, production

  Funding Source:

  Australia Council/Liquid Architecture

Professional Memberships

• Australasian Performing Rights Association

Research Areas

• Music Composition (190406)
• Electronic Media Art (190203)