Joanna Mendelssohn

Program Director, Art Administration, School of Art History and Art Education. Editor in Chief, Design and Art of Australia Online at University of New South Wales

Joanna Mendelssohn came to COFA after an extensive curatorial background in art museums and as the award winning art critic of The Bulletin. She has for many years been the coordinator of the Master of Art Administration, and as such developed the online magazine of student writing, Artwrite.

Early in her career she worked as a research assistant on the University of Sydney’s Dictionary of Australian Artists project. In 2003, after Professor Joan Kerr indicated problems in publishing her new research on Australian illustrators (black and white artists), she suggested that the ideal publishing future for Australian art historical scholarship lay in online publishing. After Kerr was diagnosed with terminal cancer, Mendelssohn was instrumental in organising the national collaboration of universities and cultural institutions that ensured the future of Kerr’s research in the Dictionary of Australian Artists Online. She has been a CI on each of the successful ARC LIEF grants for this ongoing and expanding project, which has now evolved into Design and Art of Australia Online (aka DAAO) and is currently Editor in Chief.

Herresearch project, Australian Art Exhibitions 1968-2009: a generation of cultural transformation, is a collaboration with Dr Catherine De Lorenzo, Professor Catherine Speck, Associate Professor Alison Inglis, Bernice Murphy, Simon Elliott and Steven Miller and was awarded an ARC Linkage Project Grant for 2012. This research is investigating the transformation of Australian art exhibitions and their influence on Australian art history over a 40 year period.

Her first book was the seminal study on Sydney Long (1979). This was followed by a series of studies on Lionel Lindsay. The research for her book, Lionel Lindsay: an artist and his family (Chatto & Windus, London 1988) was supported by a Literature Board Fellowship. She later revisited the ways in which the mythology of the Lindsay family had been created in her PhD thesis which was then reworked and published as Letters & Liars: Norman Lindsay and the Lindsay family (Angus & Robertson 1996). She also wrote the catalogue for the 1990 Yellow House exhibition at the Art Gallery of New South Wales and was curator for the touring exhibition Larter Family Values (2006).