Ever since it launched, the streaming platform has made its name by spearheading ever more daring innovations. But could this model be hurtling toward uniform plots and worldviews?
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In ten years, Netflix has built up a streaming business with a staggering 125m subscribers. Here’s what it needs to do next.
Netflix’s biggest hit is the most empowering programme to air in years.
The popular TV series encourages us to question how we understand identity and community in light of religion.
There’s more prestige than ever on our screens – but there’s also gender problem both in terms of the reception of female-centred shows – and the treatment of female creator-showrunners.
Top contributors
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Professor of Film and Screen Studies, University of Portsmouth
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Lecturer in Media, University of Adelaide
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Professor of Strategic Management, Lancaster University
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Docteure sciences politiques, HDR sciences de gestion, Kedge Business School
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PhD Candidate in Biblical Studies and Queer Theory, University of Sheffield
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Professor of Film Studies, Chair of European Film and Co-director of B-Film: The Birmingham Centre for Film Studies, University of Birmingham
