A sculpture of William Ricketts looms over those of Arrernte and Pitjantjatjara men at the sanctuary in Victoria’s Dandenong Ranges.
A mossy sanctuary in Victoria's Dandenong Ranges houses 92 sculptures, mostly of Arrernte and Pitjantjatjara men, women and children. They are steeped in primitivism, yet the park is a popular tourist attraction.
Aboriginal demonstration in Brisbane in 2014.
A damning inquiry has revealed the extent of the abuse suffered by British children sent abroad between 1920 and 1970. But it skirts around Aboriginal cultural genocide.
Indigenous artists, including Josephine Mick, experience the immersive multimedia DomeLab, part of the Songlines: Tracking the Seven Sisters exhibition.
George Serras, NMA
This exhibition at the National Museum of Australia is not only brilliant but marks an important turning point in how Aboriginal art is exhibited.
The star Betelgeuse varies in brightness.
A new look at some of the oral traditions of Aboriginal Australians shows a deep understanding of three red-giant variable stars, long before European observers.
A sacred paperbark tree at Djiliwirri, the most sacred homeland of the Indigenous elder and public intellectual, Dr Joe Gumbula, in 2004.
Dr Joe Gumbula was a master-singer of Manikay, the exquisite Yolŋu tradition of public ceremonial song. While the songs contain incredible knowledge, scholars have rarely treated them as an intellectual tradition.
Front cover of Tjarrany Roughtail - the book features a collection of Dreaming stories.
These books introduce children to Indigenous culture and experiences through colourful pictures and powerful storytelling.
Who is portrayed as Australian? ‘Opening of the first parliament’ Tom Roberts c.1903.
Despite improvements to their content over time, secondary school history textbooks still imply that ‘real’ Australians are white.
Brenda L. Croft.
shut/mouth/scream (detail) 2016
Courtesy of the artist and Stills Gallery
The National Gallery of Australia's Third National Indigenous Art Triennial presents a passionate well-considered argument for an enduring Aboriginal culture.
A fruit cart depicting a ‘picanniny’ child: such figures were popular at a time when Aboriginal children were being removed from their families.
What are we to make of 'Aboriginalia': bric-a-brac, tiles, ornaments and artworks - once hugely popular - depicting caricatures of Indigenous people? What if they are collected now in a knowing, ironic way?
Policies and services designed to protect Aboriginal children’s cultural connections are not being properly implemented.
AAP Image/Dan Peled
New reports show a widespread lack of care for the cultural needs of many of the 19,000 Aboriginal and Torres Strait Islander children in child protection and out-of-home care.