Australia's rich tradition of crime fiction is little known – early tales told of bushrangers and convicts, one hero was a mining engineer turned amateur detective – but it reveals a range of national myths and fantasies.
A new room will open at the NSW State LIbrary today, furnished with objects from Donald and Myfanwy Horne's study. Their daughter, Julia, reflects here on a writing partnership and the room that fostered it.
The Australian writer Georgia Blain, who died last week, wrote extraordinary portraits of family relationships, in luminous prose, with devastating insight. And when she became ill, she wrote about her cancer.
Judith Wright was possibly our greatest poet and a passionate social activist. But a new biography suggests that in writing her family memoirs, Wright avoided evidence that her settler forebears likely participated in the murder of Aborigines.
The tale of a married woman who joins her lover in Paris, The Beauties and Furies is a modernist classic. Like Joyce's Ulysses, the action is concentrated in one city, but dreams are nightmarish in this city of night, not light.
There are many similarities between blockbusting young adult novels such as The Hunger Games series and Australian books such as Taronga – but there are also clear differences in their messages for the young.
If a society should be judged by the way it treats its children, and those who are struggling on the margins, then Laguna’s work once again proves that the novel is a crucial means for drawing attention to the burning problems of our times.
Sydney Chamber Opera's production of David Malouf's 1982 novel Fly Away Peter opens this weekend. It's not the first opera adaptation of Australian literature – and there are reasons to hope it's not the last.