The Sydney Film Festival’s 2018 program was outstanding. Movies to watch out for include a WWII-contemporary mash-up set in Paris, a doco about mammoth hunters, and Spike Lee’s racially charged cop movie, BlacKkKlansman.
Activism increasingly relies on strong visuals that can be shared online, and – somewhat surprisingly in a digital world – physical billboards still play an important role.
Adam Bargteil, University of Maryland, Baltimore County
The first time computer-generated characters interacted with humans on a movie screen was 25 years ago, in ‘Jurassic Park.’ Since then, technology has improved, giving directors more choices.
In this episode of Close-up, Bruce Isaacs contrasts the unsettling musical score from Hitchcock’s Psycho with Howard Shore’s score for Lord of the Rings: Fellowship of the Ring.
The social structures that once enabled male artists to exploit and abuse women must be cast into the past. But castigating their work to the scrapheap is an act of cultural suicide.
In Cargo, zombies roam Australia and Aboriginal people living off the land are best equipped to repel them. The first half hour is brilliant but the film becomes far less satisfying.
A new film examines the gender imbalance in Australia’s music industry. The women interviewed tell some confronting stories but the documentary points to a better future.
Planet Earth II Live fuses footage from the BBC series with live orchestration. Despite some narrative flaws, it’s a stirring call to look after our environment.