A still from Gough’s video Hunting Ground (pastoral).
This major exhibition examines Tasmania’s overlooked history of dispossession and frontier war.
Peta Clancy, Undercurrent 1, from the series Undercurrent, 2018-19, inkjet pigment print, W120 x H85cm each image approx.
Courtesy the artist
There is a long history of cultural silence on the frontier wars that characterised Australia's colonisation. Peta Clancy's exhibition invites us to see this history in the Victorian landscape.
Participants in A Tasmanian Requiem, a musical performance addressing Tasmania’s Black War.
A Tasmanian Requiem brings together Western and Aboriginal voices to confront the violence of the state's Black War. It shows what a historical reckoning, and reconciliation, might look and sound like.
George Hamilton, Meeting natives on the Campaspi plains, Victoria, June 1836.
National Library of Australia
George Hamilton published An Appeal for the Horse in 1866, a defence of animal welfare well ahead of its time. However, his compassion for Aboriginal people was conspicuously lacking.
In a painting such as Warriors of New South Wales, 1813, we can easily imagine a group of men ready to take to the football field.
Australian War Memorial
Between the 1830s and the 1850s, hundreds of Indigenous warriors and dozens of British settlers were killed across south-east Australia. Echoes of that conflict recur in Aussie rules.
A picture of strength: lifelong activist Bonita Mabo OA in front of her portrait as a young woman, which features in her granddaughter Boneta-Marie Mabo’s first solo exhibition.
Josef Ruckli, courtesy of the State Library of Queensland
Boneta-Marie Mabo's art responds to a colonial past in which Aboriginal women were fetishised as "black velvet". But it also celebrates strong women, including her activist grandmother Bonita Mabo.
In some parts of Australia, cattle properties have been hand over to the traditional owners, but for others the return of their land seems further away than ever.
The company built by 'Cattle King' Sidney Kidman is for sale. He enjoyed good relations with the Indigenous inhabitants, but proper recognition of their rights to their land seems ever more elusive.
Aboriginal gargoyles are the Australian War Memorial’s only overt representation, albeit unintentional, of a violent history of colonisation.
The Australian War Memorial promises to tell 'our story' about the nation's war experience – but it silences many stories about Australia's nationhood and glosses over Indigenous experience.
The Australian War Memorial recognises wars ranging from Afghanistan right back to pre-Federation conflicts, but not Australia’s first war.
On Anzac Day, Australia remembers its war dead, with one tragic exception. Australia is apparently disinclined to acknowledge the fact or the importance of frontier conflicts. What’s the nexus between…
Nowhere was resistance to white colonisers greater than from Tasmanian Aborigines, but within a generation only a few had survived the Black War.
Robert Dowling/National Gallery of Victoria
Tasmania’s Black War (1824-31) was the most intense frontier conflict in Australia’s history. It was a clash between the most culturally and technologically dissimilar humans to have ever come into contact…