The Sydney Theatre Company’s captivating revival of the 1975 play, co-produced with Dublin’s Gate Theatre, manages to balance the loathing and humour of Thomas Bernhard’s writing.
Angus Cerini’s Into the Shimmering World at the Sydney Theatre Company is an unforgiving and, frankly, bleak meditation on what it is to be good; what it is to live a good life.
Oscar Wilde’s extraordinary script is delivered with sharp wit by an extraordinary cast and placed within a production that exploits the dialogue for its viciously comic potential.
In the 1957 worldwide bestseller, Australia is – briefly – the last habitable place on earth, following a nuclear world war. One character asks, as they wait to die: ‘Why did all this happen to us?’
Julia Gillard’s ‘misogyny speech’ forms the inciting incident and climatic ending of Joanna Murray-Smith’s new play Julia, produced by the Sydney Theatre Company.
Iain Grandage’s fourth Perth Festival continued his focus on First Nations performance, together with an exhilarating dose of Black Futurism as well as demanding post-classical music.
In this play, RBG discusses her most famous cases and her conversations with three of the presidents who served during her 27-year term on the US Supreme Court.
Gaslight, fog, and mysterious doorways abound in STC’s Strange Case of Dr Jekyll and Mr Hyde, a play which is a complex portrait of morals being realigned in a new world of discovery.