Garry Sibosado, Aalingoon (Rainbow Serpent), 2018, ochre pigment on engraved pearl shell, detail.
Courtesy the artist
Indigenous artists and arts centres from the Kimberley region were invited to help curate this new exhibition, presented as part of the Perth Festival 2019.
Portrait of Ruby Lindsay, published in The drawings of Ruby Lind, 1920.
Often overshadowed by her famous brothers, Ruby Lindsay found ways to challenge the restrictive gender roles of early-20th Century Australia.
Portrait of Caterina Cornaro, Queen of Cyprus, c. 1500, by Gentile Bellini.
One of the most significant woman of Venice’s golden age, Cornaro was an important figure in Renaissance politics, diplomacy and arts.
Anna Breckon and Nat Randall, Rear view 2018 (still),
high definition digital video, multi-channel sound, 85:11 mins
Courtesy of the artists Photo: Andrew Curtis
Through animation, video, light and sound, Theatre is Lying exposes how visual art, performance and theatrical devices can interrogate what is real and what is not.
Tokyo design studio nendo responds to the work of M. C. Escher.
There is nothing to prepare us for the shock to the senses in the National Gallery of Victoria's latest exhibition combining the works of M. C. Escher with Japanese design firm nendo.
‘Four uprights, red and black’ [TP62] c1965
polyvinyl acetate and pigment on hardboard
122 x 183 cm
Art Gallery of New South Wales, Sydney, gift of Frank Watters 2018, donated through the Australian Government’s Cultural Gifts Program © The estate of the artist
Forty-five years after his death, the Art Gallery of New South Wales has mounted a major exhibition of Tony Tuckson, focussing on his intensely personal Abstract Expressionist works
Kathleen Petyarre looking across Atnangker country, Northern Territory, December 2000.
Photograph Ian North; courtesy Wakefield Press
Petyarre, who won the Telstra prize for Indigenous art in 1996, has died in Alice Springs.
Kamsani Bin Salleh and Matthew McVeigh, Foodland, 2018, found metal sign and acrylic, 125 x 400 cm.
Janet Holmes à Court Collection
This Perth exhibition is a raucous, overwhelming, exciting and at times confusing immersion into ideas about national identity.
pH. John Walter, 2017. Photograph by Jonathan Bassett.
There are many ways of visualising scientific concepts, as we discovered when an artist got in touch about some of our work.
Lifetime Supply. Bee Hughes.
Art can be a powerful means to confront and subvert stigma around menstruation.
Detail from Witchetty Grub Dreaming, Jennifer Napaljarri Lewis, Warlukurlangu Artists of Yuendumu.
Courtesy of the artist
A new exhibition pairs paintings by Indigenous Australian artists with microscopic images captured by scientists. The parallels, as this gallery of pictures shows, are intriguing.
Graeme Williams’s photograph he took in Thokoza township, near Johannesburg, in 1991. Police watch an ANC rally.
Acknowledging the source of the images would amplify rather than diminish the power of Hank Willis Thomas's political art.
Detail from Artemisia Gentileschi’s Self-Portrait as Saint Catherine of Alexandria, c. 1616. Her role playing predates by centuries the preoccupations of artists such as Cindy Sherman.
Born into late-16th century Papal Rome, Gentileschi transcended the path of utter obscurity that was the lot of her female peers to become one of the most famous painters of the day.
Detail from Brett Whiteley.
Sacred baboon 1975
brush and ink, wood stain, watercolour, gouache and cut printed colour illustration on cardboard 81.6 x 67.6 cm
National Gallery of Victoria, Melbourne Purchased, 1978 (A23-1978) © Wendy Whiteley
Throughout his life, Brett Whiteley made images of apes and monkeys. He found much in their character and physiognomy to identify with.
Sidney Nolan’s Steve Hart dressed as a girl 1947 from the Ned Kelly series 1946 – 1947 enamel paint on composition board 90.60 x 121.10 cm.
Gift of Sunday Reed 1977 National Gallery of Australia
As a bushranger in the Kelly gang, Steve Hart took to dressing as a woman and riding side-saddle to avoid detection. Sidney Nolan's painting captures Hart's adolescent cockiness, bravery, and foolhardy bluster.
Photogenic Drawing, 2017,
installation view, Sydney Contemporary, Carriageworks.
Photo: Nick Kreisler Courtesy of the artist and Hugo Michell Gallery, Adelaide
The 2018 Tarrawarra Biennial explores the act of creation itself, dissolving boundaries between mind/body, physical/spiritual, and form/content. But the experience in the gallery is sometimes something of an anti-climax.
Trump Baby flies over Parliament Square in July during President Trump’s visit to the UK.
Trump Baby is the latest in a long history of visual protests. But is this 'cheap shot street theatre' truly effective, or should we ask more of protest artists?
William Blake, Pity, 1795, Tate.
William Blake/Wikimedia Commons
The Romantics - including poets William Blake and William Wordsworth - lived in the 18th century, but their passionate ideas about imagination and nature are still influential today.
Detail from John Russell:
Almond tree in blossom c1887.
oil on gold ground on canvas on plywood 46.2 x 55.1 cm.
National Gallery of Victoria, Melbourne. The Joseph Brown Collection. Presented through the NGV Foundation by Dr Joseph Brown AO OBE, Honorary Life Benefactor, 2004 (2004.216)
John Russell, who was destined to become an engineer, instead became an artist in fin de siècle France – and a friend of Van Gogh, Monet and Rodin.
But is it art…? Fast-car fans Maurice and Harry in the Art Gallery of New South Wales in ABC’s Everyone’s A Critic.
The ABC's reality TV show Everyone's A Critic puts 'everyday' Australians in galleries. It is a compelling premise for an art show, but a tad disappointing.