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Articles on Art exhibition

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Arthur Streeton The vanishing forest 1934, oil on canvas, 122.5 x 122.5 cm. On loan to the Art Gallery of Ballarat from the Estate of Margery Pierce

Streeton: an optimistic celebration of the golden boy of Australian art

A major new exhibition presents a nuanced view of Arthur Streeton who, in his lifetime, was praised as being the artist 'who has shown us our land as no one else has done'.
Marcel Duchamp, ‘From or by Marcel Duchamp or Rrose Sélavy (Box in a valise)’ 1935-41, 1963-65 (contents); Series F, 1966 edition, mixed media, 41.3 x 38.4 x 9.5 cm Philadelphia Museum of Art, gift of Mme Marcel Duchamp, 1994-43-1. © Association Marcel Duchamp/ADAGP. Copyright Agency, 2019

The essential Duchamp: an exotic radical who rejected the establishment

Some 50 years after his death, a major exhibition at the Art Gallery of New South Wales shows why the work of Marcel Duchamp continues to challenge the very idea of what art may be.
Abdul-Rahman Abdullah, Pretty Beach, 2019, installation view, The National 2019: New Australian Art, Museum of Contemporary Art Australia, Sydney, painted wood, silver plate ball chain, crystals, audio, image courtesy the artist and Museum of Contemporary Art Australia. © the artist, photograph: Jacquie Manning.

In Abdul-Rahman Abdullah’s Pretty Beach, a fever of stingrays becomes a meditation on suffering

Abdul-Rahman Abdullah's installation Pretty Beach tells a story from the artist's childhood to explore mortality and grief.
Peta Clancy, Undercurrent 1, from the series Undercurrent, 2018-19, inkjet pigment print, W120 x H85cm each image approx. Courtesy the artist

Peta Clancy brings a hidden Victorian massacre to the surface with Undercurrent

There is a long history of cultural silence on the frontier wars that characterised Australia's colonisation. Peta Clancy's exhibition invites us to see this history in the Victorian landscape.
Installation view: Quilty featuring Pancreatitis (Kenny), The Last Supper (Bottom Feeder) and Farewell virginity by Ben Quilty, Art Gallery of South Australia, Adelaide, 2019. Photo: Grant Handcock.

A noisy, passionate show from an artist in a hurry, Quilty has just one emotional pitch

Ben Quilty is the next big thing in Australian art. Will he be allowed - and will he allow himself - to explore and find his true potential as an artist?
Song dynasty 960–1279 Feng Dayou (active mid 12th century) ‘Taiye lotus pond’, album leaf, colours on silk. 23.8 x 25.1 cm. National Palace Museum, Taipei Photo: © National Palace Museum, Taipei

Heaven and Earth in Chinese Art is an exercise in spectacle

The first major loan to Australia from a repository of canonical art works of Chinese culture deserves to be seen by all those interested in Chinese art.
Patricia Piccinini, Kindred 2017, Silicone, fibreglass, hair, Ed. 1 of 3, 103 x 95 x 128cm. Courtesy the artist, Tolarno Galleries, Melbourne; Roslyn Oxley9 Gallery, Sydney; and Hosfelt Gallery, San Francisco. Natasha Harth, QAGOMA.

With affection and humour, Patricia Piccinini probes the boundaries of human and other

Part human, part animal, Patricia Piccinini's sculptures are uncannily familiar, yet alarmingly other. A major new exhibition creates a parallel universe in which viewers can encounter her work.
Detail from Gerhard Richter’s Reader (804), 1994 Oil on canvas. 72 x 102cm. Collection: San Francisco Museum of Modern Art, USA Purchase through the gifts of Mimi and Peter Haas and Helen and Charles Schwab, and the Accessions Committee Fund: Barbara and Gerson Bakar, Collectors Forum, Evelyn D. Haas, Elaine McKeon, Byron R. Meye

Gerhard Richter: The Life of Images is an unmissable show

Gerhard Richter - one of the giants of post-war German art - is elusive, enigmatic and seemingly impossible to pin down. The first retrospective exhibition of his work in Australia is a brilliant and challenging event.
Paul Uhlmann, Batavia 4th June 1629 (night of my sickness), 2017, oil on canvas (detail, one of three panels). Courtesy of the artist

Picturing the unimaginable: a new look at the wreck of the Batavia

The shipwreck of the Batavia and subsequent murders of 115 men, women and children have inspired many retellings. A new exhibition combines art and science to find new angles on an old tale.
Detail from NigeI Milsom (Australia, 1975–), Judo House Part 6 (The White Bird), 2014–15 oil on linen, 230 x 194 cm. Reproduced courtesy of the artist and yuill|crowley, Sydney. Photo: Art Gallery of New South Wales

Sex and spirit: the many faces of ecstasy

The Ecstasy of St Teresa is the point of departure for a new exhibition examining ecstasy in all its guises, from the sexual to the spiritual to the banal.
Detail from Fred Williams You Yang Pond 1963. oil on composition board Art Gallery of South Australia, Adelaide Gift of Godfrey Phillips International Pty Ltd 1968 © Estate of Fred Williams

Fred Williams in the You Yangs: a turning point for Australian art

A new exhibition features more than 50 works by Fred Williams, centred on the You Yangs peaks, west of Melbourne. They illuminate a breakthrough moment in Australian art.

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