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Articles on Impressionism
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Why modern science needs more Claude Monets.
The Museum of Fine Arts, Boston is the 14th largest gallery in the world, and now Melbourne can see some of its masterpieces.
This exhibition will become the definitive show of Australian Impressionism - and it features talented women artists alongside iconic males.
Hyperbole surrounds the Impressionists, who are perennial blockbuster fodder. In truth, they were not a united group of radicals and their subject matter is far darker than commonly acknowledged.
John Russell, who was destined to become an engineer, instead became an artist in fin de siècle France – and a friend of Van Gogh, Monet and Rodin.
The Impressionists were obsessed with the science of colour, which is celebrated in a new exhibition in Adelaide. At least 50 of the paintings have never previously been exhibited in Australia.
Debussy’s Clair de Lune, meaning ‘moonlight’, is one of the most easily recognised pieces of music, but its origins are complex. The piece was influenced by poetry, Baroque music and the Impressionist movement.
Hokusai’s Great Wave is the enduring image of Japanese art. Less well known is the story of its primary pigment - Prussian blue - which was created in a lab accident in Berlin and sparked ‘blue fever’ in Europe.
It took cutting edge technology and a collaboration between the Australian Synchrotron and the CSIRO to reveal the mysterious hidden lady in Degas’s famous painting.
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Adjunct Professor of Art History, Australian National University
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Post Doctoral Research Fellow, RMIT University
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Scientist - X-ray Fluorescence Microscopy, Australian Synchrotron
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Associate Professor Piano Division, Sydney Conservatorium of Music, University of Sydney
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Joanna Mendelssohn is a Friend of The Conversation.
Honorary (Senior Fellow) School of Culture and Communication University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne
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Lecturer in Computer Embedded Design, Cardiff Metropolitan University
