Installation view of SMACK’s Speculum 2019 on display at Matadero Madrid © SMACK Courtesy the artist and Onkaos.
Be prepared to be surprised, amazed and challenged at the third NGV Triennial.
Installation view of Patrick Pound’s People who look dead but (probably) aren’t 2011–2014 on display in Photography: Real & Imagined at The Ian Potter Centre: NGV Australia from October 13 2023 – February 4 2024. Photo: Lillie Thompson.
Photography: Real and Imagined at the National Gallery of Victoria can be interpreted as an attempt to make sense of photography’s history.
Pierre Bonnard, French, 1867-1947, Coffee, 1915. Oil on canvas, 73.0 x 106.5 cm. Tate, London. Presented by Sir Michael Sadler through the NACF 1941. Photo © Tate.
An unusual and magnificent exhibition at the National Gallery of Victoria allows us to see Bonnard like never before.
Installation view of Troy Emery’s work Mountain climber 2022 on display as part of the Melbourne Now exhibition at The Ian Potter Centre: NGV Australia, Melbourne from 24 March – 20 August 2023.
Image: Tom Ross
Conceived as a snapshot of visual culture in Melbourne and Victoria, this exhibition is challenging, visually exciting and memorable.
Installation view of T he Widows of Culloden collection, autumn winter 2006 - 07 in Alexander McQueen: Mind, Mythos, Muse on display at NGV International from 11 December 2022 - 16 April 2023. Headpieces by Michael Schmidt
Photo: Sean Fennessy
Alexander McQueen: Mind, Mythos, Muse at the National Gallery of Victoria is an important fashion exhibition that makes us consider how all the visual arts are inter-related.
Scotty So, Wearing a mask at the end of the Spanish flu, no. 1 2020 inkjet print 76.3 × 50.8 cm (image) 86.5 × 61.0 cm (sheet).
National Gallery of Victoria, Melbourne Purchased, Victorian Foundation for Living Australian Artists, 2021 © Scotty So
The first Chinese object was acquired by the year-old gallery in 1862. A new exhibition looks at this history – and towards the future.
Fred Williams Australia 1927-82, worked in England 1952-56. Elephant 1953 cont é crayon 25.2 x 31.8 cm (sheet)
National Gallery of Victoria, Melbourne Presented by the Art Foundation of Victoria by Mrs Lyn Williams, Founder Benefactor, 1988 © Estate of Fred Williams
Studying in London, the young artist examined the human figure, animals in the zoo and the rich cross-section of theatre life and of life on the streets.
Pablo Picasso, Spanish 1881–1973.
Figures by the sea (Figures au bord de la mer) 12 January 193, oil on canvas 130.0 x 195.0 cm. Musée national Picasso-Paris Donated in lieu of tax, 1979
© Succession Picasso/Copyright Agency, 2022 Photo © RMN-Grand Palais (Musée national Picasso-Paris) / Mathieu Rabeau
The Picasso Century at the National Gallery of Victoria is a remarkable exhibition that may change the way you will view Picasso.
Installation view of Bark Ladies: Eleven Artists from Yirrkala from 17 December 2021 to 25 April 2022 at NGV.
International, Melbourne.
Photo: Tom Ross
Bark painting in Yirrkala is a tradition of antiquity – but it is constantly reinvented, as this stunning exhibition of contemporary women’s work attests.
Refik Anadol: Quantum memories 2020 (render) custom software, quantum computing, generative algorithm with artificial intelligence (AI), real time digital animation on LED screen c4 channel sound 1015.0 x 1020.0 x 250.0 cm. Commissioned by the National Gallery of Victoria, Melbourne. Purchased with funds donated by Loti & Victor Smorgon Fund and Barry Janes and Paul Cross, 2020.
© Refik Anadol Image courtesy of Refik Anadol
With more than 100 artists from more than 30 countries, this exhibition features alternative realms drawn from a Google quantum computer, a Jeff Koons ‘selfie magnet’ and moments of Zen beauty.
Then prime minister Gough Whitlam and director of the Australian National Gallery James Mollison in front of Blue Poles in 1973.
© Pollock-Krasner Foundation. ARS/Copyright Agency
The first director of the National Gallery of Australia has died at 88.
Keith Haring | Jean-Michel Basquiat: Crossing Lines at the NGV International leaves out important information about who Haring was as a person and, therefore, as an artist.
© Estate of Jean-Michel Basquiat. Licensed by Artestar, New York © Keith Haring Foundation Photo: Tom Ross
At the National Gallery of Victoria’s summer blockbuster, Keith Haring, Jean-Michel Basquiat: Crossing Lines, Haring’s sexuality is obscured.
Crossing Lines, ‘a raw and uncompromising show’, opens with this reproduction of Haring’s creation on the NGV Waterwall, which he painted in 1984.
NGV/© Keith Haring Foundation Photo: Tom Ross
Keith Haring | Jean-Michel Basquiat: Crossing Lines may well be the riskiest exhibition the National Gallery of Victoria has staged in its more than 150-year history.
Cyril Porchet, Swiss born 1984, Untitled 2014 from the series Crowd, inkjet print.
139.0 x 169.0 x 3.5 cm.
© Cyril Porchet
Many of the world’s greatest photographers focus on our shared human experience in a milestone exhibition.
Rosslynd Piggott Double Breath (contained) of the sitter 1993–94 (installation detail) various media.
dimensions variable.
© The artist Photo: courtesy the artist
Rosslynd Piggott’s artworks explore an uncanny, dream-like state. A new exhibition of her objects, installations and paintings is a memorable reflection of a major Australian artist.
Dorrit Black, The Bridge, 1930.
Oil on canvas on board,
60.0 x 81.0 cm.
Bequest of the artist, 1951, Art Gallery of South Australia, Adelaide.
Dorrit Black, Grace Cossington Smith and Grace Crowley were some of many talented modernist women artists. But only with the advent of second wave feminism in the 1970s was their work properly acknowledged.
Detail from William Barak, Figures in possum skin cloaks, 1898, pencil, wash, charcoal solution, gouache and earth pigments on paper, 57.0 x 88.8 cm (image and sheet)
National Gallery of Victoria, Melbourne Purchased, 1962
Colony at the NGV pairs colonial art with Indigenous responses, in an effort to create dialogue about Australia’s history.
Detail from Gareth Sansom’s.
Wittgenstein’s brush with Vorticism, 2016, oil and enamel paint on canvas
213.4 x 274.3 cm.
Courtesy the artist and Milani Gallery, Brisbane © Gareth Sansom/Administered by Viscopy, 2017
A retrospective exhibition of Gareth Sansom’s 60-year career is bold, provocative and exquisitely crafted.
A detail from Vincent Van Gogh’s A wheatfield, with cypresses, early September 1889.
National Gallery, London. Bought, Courtauld Fund, 1923 (NG3861) © The National Gallery, London
Van Gogh’s immersion in the natural world, for his art and for its therapeutic effects, saw him observe in minute detail the changing of the seasons.
Installation view of Viktor&Rolf: Fashion Artists at the National Gallery of Victoria.
Photo: Wayne Taylor
Paintings that turn into frocks; a model dressed in nine outfits like a Russian doll. A new exhibition by Dutch designers Viktor & Rolf is truly fashion as performance art.