It’s not just the drama that gets people to tune in every night
Academic rigour, journalistic flair
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Like Joker, this adaptation seeks to humanise a famous villain. But is this revisionism or a new story altogether?
In the war to secure exclusive content, the ability to invest in the acquisition or production of original content has become crucial ammunition.
The subject of a new Netflix miniseries, Halston once ruled over New York’s fashion world. But the designer with a devil-may-care approach to his business dealings attempted too much, too quickly.
Fictional screen robots have long represented our fear of technology. A new animated family film combines this trepidation with many parents’ fear of losing offline connection with their kids.
The rise of the black romantic comedy in South Africa dovetailed perfectly with the advent of streaming services - creating a box office phenomenon.
It may be the greatest robbery you’ve never heard of. In 1990 thieves stole US$200 million worth of art from a Boston gallery. A new Netflix series seeks to find the culprits.
A historian reviews Pablo Agüere’s award-winning Netflix film Akelarre and explains why it is one of the best films around on the early modern witch-hunt.
This Netflix series imagines we all have a DNA-compatible soulmate waiting for us. But while there are companies in the real world matchmaking via DNA, love is more complex than that.
An Italian media scholar raised on American TV assesses Netflix’s ambitious strategy to create original productions in Italy, Japan, Brazil and beyond – and distribute them globally.
Parents thrust into the role of math teacher can take simple steps to help their children understand math better and dread it less.
From festivals to awards, generating buzz can increase the gross earnings of a film and even increase investment in a country’s film industry.
Pursuing local content requirements on streaming services is a high risk, low reward campaign. The reality is global streamers can’t save Australian television.
Can everyday women expect men to dramatically revise their sexist attitudes like the men surrounding the chess whiz in ‘The Queen’s Gambit’? The MeToo utopia answers: Why shouldn’t they?
TV programmes with certain themes can help boost our mood.
The excavation of the 7th century Saxon ship at Sutton Hoo was remarkable – but we can’t ignore the harmful rhetoric about the ‘Anglo-Saxon’ race in a new Netflix film dramatising the find.
Writers did it themselves back in the 19th-century so modern period dramas should be cut some slack for trying to prioritise modern aesthetic tastes over historical accuracy.
A french classic has had a thoroughly modern update, meditating on themes of class, race and colonialism.
The Digs’ archaeologists are closer to reality than the intrepid Indiana Jones, and that’s refreshing.
Audiences have a growing appetite for slow weekly released TV.
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Top contributors
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Senior lecturer in Screen Media, Victoria University
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Professor of Media Studies, Queensland University of Technology
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Professor of Film and Screen Studies, University of Portsmouth
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Lecturer in Communications and Media, University of Notre Dame Australia
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Associate Professor, School of Media and Communication, RMIT University
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Senior Lecturer in Writing, Literature and Culture, Deakin University
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Researcher, Queensland University of Technology
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Dennis Altman is a Friend of The Conversation.
VC Fellow, La Trobe University
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Associate Professor of English, Flinders University
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Senior Lecturer in Media, RMIT University
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Associate Professor, University of the Sunshine Coast
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ARC DECRA Senior Research Fellow in Sex & Sexuality, La Trobe University
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Associate Professor in Cinema Studies, RMIT University
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Senior Lecturer, University of the Sunshine Coast
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Senior Lecturer in Screen Studies, University of South Australia
